Delgado, Maria, Kobialka, Michal and Lease, Bryce, eds. (2024) Staging difficult pasts: transnational memory, theatres and museums. Routledge, London. ISBN 9781032326030

Fisher, Tony and Balme, Christopher, eds. (2020) Theatre Institutions in Crisis: European Perspectives. Routledge, London. ISBN 9780429294167

Boenisch, Peter (2015) Directing Scenes and Sense: The Thinking of Regie. Theatre: Theory – Practice – Performance . Manchester University Press, Manchester. ISBN 9780719097195

Elswit, Kate (2020) From ‘Future Memory’: A Triangulation of History, Theory and Practice (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383967-6-3

Elswit, Kate (2014) Watching Weimar Dance. Oxford Studies in Dance Theory . Oxford University Press, Oxford. ISBN 9780199844838

Fisher, Tony (2023) The Aesthetic Exception: Essays on Art, Theatre, and Politics. Manchester University Press, Manchester. ISBN 978-1-5261-7016-3

Fisher, Tony (2017) Theatre and Governance in Britain, 1500-1900: Democracy, Disorder and the State. Cambridge University Press, Cambridge. ISBN 9781107182158

Parker, Joanna (2020) Aida, Opera North 2019 (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383968-3-1

Pisk, Litz and Tashkiran, Ayse (2017) The Actor and His Body. Theatre Makers . Bloomsbury Methuen Drama, London. ISBN 9781474269742

Radosavljevic, Duska (2013) The Contemporary Ensemble: Interviews with Theatre-Makers. Routledge, London. ISBN 9780415535304

Radosavljevic, Duska (2013) Theatre-Making: Interplay Between Text and Performance in the 21st Century. Palgrave Macmillan, Basingstoke. ISBN 9780230343115

Shepherd, Simon (2016) The Cambridge Introduction to Performance Theory. Cambridge Introductions to Literature . Cambridge University Press, Cambridge. ISBN 9781139600194

White, Gareth (2013) Audience Participation in Theatre: Aesthetics of the Invitation. Palgrave Macmillan, Basingstoke. ISBN 9781137354631

Zaroulia, Marilena (2015) Performances of Capitalism, Crises and Resistance: Inside/Outside Europe. Palgrave Macmillan, London. ISBN 9781137379368

Astles, Cariad (2018) Presence and Memory: Tadeusz Kantor’s Living Puppet Theatre 1. In: Tadeusz Kantor’s Memory: Other Pasts, Other Futures. Institute of Grotowski, London. ISBN 9781910203064

Boenisch, Peter (2020) Struggles of Singularised Communities in German Theatre: The Culture War Around the Berlin Volksbuhne. In: Theatre Institutions in Crisis. Routledge, London. ISBN 9780429294167

Cornford, Tom (2022) Directors: Organisation, Authorship, and Social Production. In: The Cambridge Companion to British Theatre since 1945. Cambridge University Press. (In Press)

Cornford, Tom (2018) Willful Distraction: Katie Mitchell, Auteurism and the Canon. In: The Theatre of Katie Mitchell. 4x45 . Routledge, Abingdon, pp. 72-92. ISBN 9781138600058

Cornford, Tom and Barker, Roberta (2018) Tyrone Guthrie. In: The Great European Stage Directors: Copeau, Komisarjevsky, Guthrie. The Great European Stage Directors, 3 . Metheun Drama, London, pp. 115-162. ISBN 9781474254113

Elswit, Kate (2012) Back Again? Valeska Gert's Exiles. In: New German Dance Studies. University of Illinois Press, Urbana-Champaign, pp. 113-129. ISBN 9780252036767

Elswit, Kate and Nair, Rani (2018) Letters to Lila and Dramaturg's Notes on Future Memory: Inheriting Dance's Alternative Histories. In: The Oxford Handbook of Dance and Reenactment. Oxford University Press, Oxford, pp. 177-214. ISBN 9780199314201

Lease, Bryce (2023) ‘Transembodiment as Translation: Staging the Włast/Komornicka Archive’. In: Performance and Translation in a Global Age. Cambridge University Press, Cambridge.

Radosavljevic, Duska (2012) Shared Utopias? Alan Lyddiard, Lev Dodin and the Northern Stage Ensemble. In: Russians in Britain: British Theatre and the Russian Tradition of Actor Training. Routledge, London, pp. 139-166. ISBN 9780415591003

Rushe, Sinéad (2020) Feeling Space, Making Space: Michael Chekhov's Approach to Theatre Design. In: Michael Chekhov Technique in the Twenty-First Century New Pathways. Bloomsbury, London, pp. 132-149. ISBN 9781474273213

Rushe, Sinéad (2019) Polyphonic Characterisation in Bernard-Marie Koltès’s Night Just Before the Forests: An Exploration of Michael Chekhov’s Feeling of Form. In: Technika aktorska Michaila Czechowa w historii, teorii i praktyce. Vademecum, Akademia Teatralna Warszawie, Bialystok, pp. 159-176. ISBN 978-83-88358-09-8 (In Press)

Tashkiran, Ayse (2018) Chapter 25 in The Routledge Companion to Jacques Lecoq. In: The Routledge Companion to Jacques Lecoq. Routledge Companion, 1 . Routledge, Oxford, pp. 227-235. ISBN 9781138611849

Tony, Fisher (2020) Theatre and its Discontents. In: Play and Democracy, Philosophical Perspectives. Routledge, London, pp. 13-32. ISBN 9780-36764127-6

White, Gareth (2018) The Multiple Spaces of Immersive Theatre. In: Contemporary Drama and Performative Space: from Playwriting to Immersive Theatre. The Theatre Institute, Bratislava, Bratislave, Slovakia, pp. 30-34. ISBN 9788081900358

White, Gareth (2009) Odd Anonymized Needs: Punchdrunk's Masked Spectator. In: Modes of Spectating. Intellect, Bristol, pp. 219-229. ISBN 9781841502397

Anderson, Joel (2019) Royal Central School of Speech and Drama's Joel Anderson on What Dramaturgy Is and How it is Taught. Broadway World.

Anderson, Joel (2019) Theatre Photography Between Theatre and Performance. Focales, 3 2019 (2019). pp. 1-10. ISSN 2556-5125

Anderson, Joel and Leister, Wiebke (2019) The Theatre of Photography/Le Théâtre de la Photographie. Sens Public. ISSN 2104-3272

Astles, Cariad (2019) Postcolonialism and Hybridity in British Puppetry. Critical Stages (19). ISSN 2409-7411

Astles, Cariad (2020) The UNIMA Research Commission. Journal of Applied Arts and Health, 11 (1 & 2). pp. 197-199. ISSN 2040-2457

Chow, Broderick D.V. (2018) The Dynamic Tensions Physical Culture Show. Contemporary Theatre Review, 28 (4). ISSN 1048-6801

Chow, Broderick D.V. (2018) Every Little Thing He Does: Entrepreneurship and Appropriation in the Magic Mike Series. Lateral: Journal of Cultural Studies Association, 6 (1). ISSN 2469-4053

Chow, Broderick D.V. (2018) Feeling in Counterpoint: Complicit Spectatorship and the Filipino Performing Body. Theatre Journal, 70 (3). pp. 327-347. ISSN 0192-2882

Chow, Broderick D.V. (2015) A Professional Body: Remembering, Repeating and Working Out Masculinities in Fin-de-Siècle Physical Culture. Performance Research, 20 (5). pp. 30-41. ISSN 1352-8165

Chow, Broderick D.V. (2019) Sculpting Masculinities in 19th- and 20th-Century Physical Culture: The Practiced Life of Stanley Rothwell. TDR, 2 (242). pp. 34-56. ISSN 1531-4715

Chow, Broderick D.V. (2017) The Unlikely Origins of Fitness Culture Could Give us a Different View on What It Is To Be a Man. The Conversation. ISSN 2044-5032

Chow, Broderick D.V. (2014) Work and Shoot: Professional Wrestling and Embodied Politics. TDR/The Drama Review, 58 (2). pp. 72-86. ISSN 1054-2043

Cornford, Tom (2020) Creating Something that Feels Alive: Sound Design for Katie Mitchell. Interview with Donato Wharton. Contemporary Theatre Review, 30 (2). pp. 245-252. ISSN 1048-6801

Cornford, Tom (2020) Katie Mitchell and the Technologies of the Realist Theatre. Contemporary Theatre Review, 30 (2). pp. 168-192. ISSN 1048-6801

Cornford, Tom (2017) Peter Boenisch and Thomas Ostermeier, The Theatre of Thomas Ostermeier and Peter M. Boenisch, Directing Scenes and Senses: The Thinking of Regie. New Theatre Quarterly, 33 (3). pp. 302-303. ISSN 0266-464X

Cornford, Tom (2020) Review of Susan Bennett and Sonia Massai (eds.), Ivo van Hove: From Shakespeare to David Bowie. New Theatre Quarterly, 36 (2). p. 193. ISSN 0266-464X

Cornford, Tom and Svich, Caridad (2020) Introduction: Katie Mitchell's Theatre. Contemporary Theatre Review, 30 (2). pp. 137-150. ISSN 1048-6801

Damian Martin, Diana (2018) And the Vampires Flow Towards the West: The Ecological Poetics of Eastern European Migration in the UK. GPS: Global Performance Studies, 2 (1). ISSN 2574-027X

Damian Martin, Diana, Paterson, Mary and Costa, Maddy (2019) Letters to (of) the Future. Global Performance Studies, 2 (2).

Delgado, Maria M. (2019) Adiós Arturo: La Cubana de Vuelta:. Primer Acto, 357 (11/19). pp. 249-52. ISSN 0032-8367

Delgado, Maria M. (2018) Disappearing Acts: On Analysing Creative Practice in Spain. Hispanic Research Journal, 19 (2). pp. 196-213. ISSN 1468-2737

Delgado, Maria M. (2017) Madrid’s Theatre Takes Inspiration From the Greeks. European Stages, 10 (1). ISSN 1050-199X

Delgado, Maria M. (2018) Maria Casares: l'Espagne, L'Exil et le Repoussoir. Revue d'Histoire du Théâtre, 1 (277). ISSN 1291-2530

Delgado, Maria M. (2019) A Poetics of Memory on the Madrid Stage (2018). European Stages, 13. ISSN 1050-199

Delgado, Maria M. (2018) Reframing Past and Present: Madrid Theatre 2018. European Stages, 12. ISSN 1050-199X

Delgado, Maria M. (2019) The Return of the Repressed: The Ghosts of the Past Haunt Barcelona’s Stages. European Stages, 13. ISSN 1050-199X

Delgado, Maria M. (2015) Spain: Engaging with 'La Crisis' Through Theatre. European Stages, 5 (1). ISSN 1050-199X

Delgado, Maria M. (2016) Spain: Runaway Hits and Ephemeral Memorabilia. European Stages, 8. ISSN 1050-199X

Delgado, Maria M. (2017) Terrassa’s TNT Festival: The New, the Usual and the Ugly. European Stages, 9 (1). ISSN 1050-199X

Delgado, Maria M. (2016) The Unknown, the Unexpected and the Uncanny: A New Lorca, Three New Catalan Productions, and a Few Extras. European Stages, 6 (1). ISSN 1050-199X

Eder, Thomas Fabian and Rowson, James (2023) Documenting crisis: artistic innovation and institutional transformations in the German-speaking countries and the UK. New Theatre Quarterly, 39 (4). pp. 333-354. ISSN 0266-464X

Elswit, Kate (2009) Accessing Unison in the Age of its Mechanical Reproducibility. Art Journal, 68 (2). pp. 50-61. ISSN 0004-3249

Elswit, Kate (2009) “Berlin … Your Dance Partner Is Death”. TDR/The Drama Review, 53 (1). pp. 73-92. ISSN 1054-2043

Elswit, Kate (2014) Inheriting Dance’s Alternative Histories. Dance Research Journal, 46 (1). pp. 5-22. ISSN 0149-7677

Elswit, Kate (2018) Performing Anti-Nationalism: Solidarity, Glitter, and No Borders Politics with the Europa Europa Cabaret. Theatre Research International, 43 (1). pp. 25-44. ISSN 0307-8833

Elswit, Kate (2008) Petrified? Some Thoughts on Practical Research and Dance Historiography. Performance Research, 13 (1). pp. 61-69. ISSN 1352-8165

Elswit, Kate (2008) The Some of the Parts: Prosthesis and Function in Bertolt Brecht, Oskar Schlemmer, and Kurt Jooss. Modern Drama, 51 (3). pp. 389-410. ISSN 0026-7694

Elswit, Kate (2013) Ten Evenings with Pina: Bausch's "Late" Style and the Cultural Politics of Coproduction. Theatre Journal. ISSN 0192-2882

Fisher, Tony (2018) Theatre at the Impasse: Political Theology and Blitz Theatre Group's Late Night. Performance Philosophy Journal, 4 (1). pp. 139-156. ISSN 2057-7176

Parry-Davies, Ella (2020) Modern Heroes, Modern Slaves? Listening to Migrant Domestic Workers’ Everyday Temporalities. Anti-Trafficking Review, 15. ISSN 2286-7511

Radosavljevic, Duska (2012) Sara Kanes's Illyria as the Land of Violent Love: A Balkan Reading of Blasted. Contemporary Theatre Review, 22 (4). pp. 499-511. ISSN 1477-2264

Radosavljevic, Duska and Rodosthenous, George (2016) Reversing the Process: Investigating Multi-Disciplinary Compositional Practices in The Fall of Icarus [2009]. Theatre Topics, 26 (1). pp. 105-116. ISSN 1054-8378

Rowson, James, Balme, Christopher and Eder, Thomas Fabian (2023) Theatre after Covid: innovation or path dependence? Urania Interdisciplinary Academic Journal. ISSN 2786-3263 (In Press)

Rushe, Sinéad and Cornford, Tom (2020) A Feeling of Form: Directing Concert from the Michael Chekhov Perspective: A Conversation Between Sinéad Rushe and Tom Cornford. Contemporary Theatre Review, 30 (2). pp. 419-429. ISSN 1477-2264

Rushe, Sinéad and Kemp, Margaret Laurena (2021) AntigoneNOW: Mourning and Connection Across 4 Time Zones. American Theatre.

Rushe, Sinéad, Kemp, Margaret Laurena, Ellis, Roger and Posner, Dassia N. (2021) Unity Over Unison: Creating AntigoneNOW in Lockdown. A Conversation between Margaret Laurena Kemp, Sinéad Rushe, and Roger Ellis; moderated by Dassia N. Posner. Theatre Topics. ISSN 1054-8378 (In Press)

White, Gareth (2012) On Immersive Theatre. Theatre Research International, 37 (3). pp. 221-235. ISSN 0307-8833

Naylor, Ben (2018) Advice to the Players: Peter Hall, Shakespeare and Antipathy to the Method. In: John Barton and Peter Hall Memorial Conference, 8/9/2018, Rose Theatre, Kingston. (Unpublished)

Naylor, Ben (2018) Shakespeare’s Professional Guilt: Acting, Monstrosity and the Devil. In: Perdition Catch My Soul: Shakespeare, Hell and Damnation, 8/12/2018, Shakespeare's Globe Theatre. (Unpublished)

Skourtis, Andreas and Andrianos, Panos (2014) Performing Architectures. Self-Published.

Cornford, Tom (2017) Willful Distraction: Katie Mitchell, Auteurism and the Canon. [Video]

Naylor, Ben, Healey, Anna and Wyver, John (2019) Cymbeline 19. [Video] (Unpublished)

Radosavljevic, Duska (2013) Eastern European Hamlets. [Video] (Unpublished)

Skourtis, Andreas and Andrianos, Panos (2018) Staging Antigone. [Video]