Astles, Cariad (2020) Puppets, Women and Health in Togo: An Interview with Vicky Tsikplonou. Journal of Applied Arts and Health, 11 (1 & 2). pp. 185-188. ISSN 2040-2457

Astles, Cariad, Mello, Alissa and Orenstein, Claudia (2019) Women and Puppetry: Critical and Historical Investigations. Routledge, London. ISBN 9780415787390

Ballou, Hannah (2016) Hoo:Ha: Illuminating and Exploiting a Dissonance Between Funniness and Sexiness with the Female Comic Body in Performance. Doctoral thesis, The Royal Central School of Speech and Drama.

Bartley, Sarah (2023) ‘What does transformative justice look like?’: Clean Break Theatre Company and the Young Artists Development Programme. In: The Routledge Companion to Theatre and Young People. Routledge companions . Routledge, London, pp. 651-673. ISBN 9781032348865

Bartley, Sarah and Mcvinchey, Caoimhe (2025) Rewriting women, crime and punishment: commissioning and collaborative processes in the work of Clean Break Theatre Company. In: The Methuen Drama Handbook of Women in Contemporary British Theatre. Bloomsbury Methuen Drama, London, pp. 297-311. ISBN 9781350360259

Bartley, Sarah, McAvinchey, Caoimhe, Dean, Deborah and Greene, Anne-marie (2024) Clean Break Theatre Company. Elements in Women Theatre Makers . Cambridge University Press, Cambridge. ISBN 9781009525855 (In Press)

Boston, Jane (2009) Breath in Action: The Art of Breath in Vocal and Holistic Practice. Jessica Kingsley Publishers, London. ISBN 9781843109426

Boston, Jane (2009) Breathing the Verse. In: Breath in Action: The Art of Breath in Vocal and Holistic Practice. Jessica Kingsley, London, pp. 199-214. ISBN 9781843109426

Boston, Jane (2019) In Memory Of A Radical: Cicely Berry. Journal of Interdisciplinary Voice Studies, 4 (No 1). pp. 55-70. ISSN 2057-035X

Boston, Jane (2019) Pitch and Gender in Voice Training: New Methodological. Theatre Dance and Performance Training, 10 (3). pp. 332-336. ISSN 1944-3919

Boston, Jane (2014) Poetic Text in Contemporary Voice Training: A Repositioning. Voice and Speech Review, 8 (2). pp. 131-148. ISSN 2326-8271

Boston, Jane (2018) Voice: Readings in Theatre practice. Readings in Theatre Practice . Palgrave, London. ISBN 9781137301949

Boston, Jane (1997) Voice: The Practitioners, Their Practices, And Their Critics: Reassessing The Controversy In Its Historical Context. New Theatre Quarterly, XIII (51). pp. 248-254. ISSN 0266-464X

Brennan, Amanda (2016) Women on Screen. Arts Professional. ISSN N/A

Buratta, Ben (2024) Dance-Floor dramaturgy : new approaches to making theatre queerly. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

Buratta, Ben (2017) And The Rest of Me Floats- Bush Theatre, Birmingham REP. [Performance]

Buratta, Ben (2020) And The Rest of Me Floats: Capturing Queer Potentiality through a Dance-floor Dramaturgy (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383967-3-2

Buratta, Ben (2020) Dance-Floor Dramaturgy: Unlearning the Shame and Stigma of HIV Through Theatre. Theatre Topics, 30 (02). pp. 57-68. ISSN 1054-8378

Busby, Selina and Farrier, Stephen (2007) The Fluidity of Bodies, Gender, Identity and Structure in the Plays of Sarah Kane. In: Alternatives Within Mainstream II: Queer Theatres in Post-War Britain. Cambridge Scholars Publishing, Cambridge, pp. 142-159. ISBN 9781847183064

Busby, Selina and McNamara, Catherine (2013) A Theatre for Social Justice Project in the UK. In: Staging Social Justice: Collaborating to Create Activist Theatre. Theater in the Americas . Southern Illinois University Press, Carbondale and Edwardsville, pp. 174-185. ISBN 9780809332380

Bush-Bailey, Gilli (2014) Advance Notice. Studies in Theatre and Performance, 34 (2). pp. 111-114. ISSN 1468-2761

Bush-Bailey, Gilli (2014) The Gerbini Letters, or, A Tale of Two Mothers. In: Stage Mothers: Women, Work and the Theater 1660-1830. Bucknell University Press, Lewisburg, pp. 233-251. ISBN 9781611486032

Bush-Bailey, Gilli (2019) Mabel Constanduros: Different Voices, Voicing Difference. In: Stage Women 1900-50 Female Theatre Workers and Professional Practice. Women in Theatre and Performance . Manchester University Press, Manchester, pp. 262-285. ISBN 9781526100702

Bush-Bailey, Gilli (2009) The Mystery of Revival: Performance and Reception of Susanna Centlivre on the Modern Stage. In: The Public’s Open to Us All: Essays on Women and Performance in Eighteenth-Century England. Cambridge Scholars, Newcastle Upon Tyne, pp. 283-299. ISBN 9781443801737

Bush-Bailey, Gilli (2011) Performing Herself: Autobiography and Fanny Kelly's Dramatic Recollections. Manchester University Press, Manchester. ISBN 9780719079214

Bush-Bailey, Gilli (2012) Plays and Performance Text by Women 1880-1930: An Anthology of Plays by British and American Women from the Modernist Period. Manchester University Press, Manchester. ISBN 9780719082047

Bush-Bailey, Gilli (2009) Treading the Bawds: Actresses and Playwrights on the Late-Stuart Stage. Manchester University Press, Manchester. ISBN 9780719072512

Bush-Bailey, Gilli (2014) 'Women Like Us'? Comedy Studies, 3 (2). pp. 151-159. ISSN 2040-6118

Campus, Filomena (2026) Liberate Rame! Franca Rame and the politics of theatre-making. Doctoral thesis, The Royal Central School of Speech and Drama.

Chow, Broderick D.V. and Laine, Eero (2025) A screen archive of Asian bros: casting masculinity and performing stereotypes. Studies in Theatre and Performance, 45 (2). pp. 170-189. ISSN 1468-2761

Chow, Broderick D.V. (2020) The Dynamic Tensions Physical Culture Show: A Counter-Genealogy of Built Masculinities (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383967-4-9

Chow, Broderick D.V. (2020) Epistemology of the Locker Room: A Queer Glance at the Physical Culture Archive. Contemporary Theatre Review Print ISSN 1048-6801 Online ISSN 1477-2264, 31 (1/2). (In Press)

Chow, Broderick D.V. (2024) Muscle works: physical culture and the performance of masculinity. Performance Works . Northwestern University Press, Evanston, IL, United States of America. ISBN 9780810147362

Chow, Broderick D.V. and Laine, Eero (2019) Between Antagonism and Eros: The Feud as Couple Form and Netflix’s GLOW. Women & Performance: a journal of feminist theory, 29 (3). pp. 218-234. ISSN 0740-770X

Cornford, Tom (2018) Willful Distraction: Katie Mitchell, Auteurism and the Canon. In: The Theatre of Katie Mitchell. 4x45 . Routledge, Abingdon, pp. 72-92. ISBN 9781138600058

Cornford, Tom (2017) Willful Distraction: Katie Mitchell, Auteurism and the Canon. [Video]

Damian Martin, Diana, Paterson, Mary and Costa, Maddy (2019) Letters to (of) the Future. Global Performance Studies, 2 (2).

Dodi, Simon (2021) Camp Can Be Such a Drag: Approaches to Understanding Camp and Drag. In: Drag Histories, Herstories and Hairstories: Drag in a Changing Scene Volume 2. Methuen Drama.

Dodi, Simon (2024) Lip-synching for (some) life: researching queer/camp bodies through practice-based methods. In: Researching Popular Entertainment. Routledge.

Elswit, Kate (2009) Accessing Unison in the Age of its Mechanical Reproducibility. Art Journal, 68 (2). pp. 50-61. ISSN 0004-3249

Elswit, Kate and Bench, Harmony (2020) Katherine Dunham's Global Method and the Embodied Politics of Dance's Everyday. Theatre Survey, 61 (3). pp. 305-330. ISSN 1475-4533

Endris, Jaelyn (2023) Critical passivity: a reparative approach to dance criticism. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

Farr, Nic (2025) Is this the end of the world or am I just beginning? Walking-scenographic methods for encountering bodies and landscapes in transition. Research in Drama Education, 30 (4). pp. 889-898. ISSN 1356-9783

Farrier, Stephen (2021) Kinging the Stage: Male Impersonators and Drag Kings, Exploring Shared Historical Narratives. In: Drag Histories, Herstories and Hairstories. Bloomsbury, London, pp. 57-68.

Farrier, Stephen (2020) Not a Cock in a Frock, But a Hole Story. Drag and the Mark of the 'Bioqueens'. In: Contemporary Drag Practices and Performers, Drag in a Changing Scene Vol. 1. Methuen Drama Engage, 1 . Bloomsbury, London, pp. 102-115. ISBN 97813550082946

Farrier, Stephen (2018) Theater, Queer - An Entry In: Global Encyclopedia of Lesbian, Gay, Bisexual, Transgender, and Queer (LGBTQ) History, 1st Edition. Charles Scribner's Sons, part of Macmillan Reference USA,, USA.

Farrier, Stephen and Edward, Mark (2020) Contemporary Drag Practices and Performers: Drag in a Changing Scene Volume 1. Metheun Drama, London. ISBN 97813550082946

Fisher, Tony, Dutt, Bishnupriya and Kapur, Anuradha (2025) Indian Theatre in the time of Covid a Conversation Between Bishnupriya Dutt, Anuradha Kapur, and Tony Fisher. Contemporary Theatre Review, 35 (2-3). pp. 271-282. ISSN 1048-6801

Harradine, David (2020) Men & Girls Dance (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383967-8-7

Lease, Bryce (2023) ‘Transembodiment as Translation: Staging the Włast/Komornicka Archive’. In: Performance and Translation in a Global Age. Cambridge University Press, Cambridge.

Low, Katharine and Damian Martin, Diana (2019) Surviving, But Not Thriving: The Politics of Care and the Experience of Motherhood in Academia. Research in Drama Education, 24 (3). pp. 426-432. ISSN 1356-9783

Murphy, Helen (2018) "Faint Flickerings" : Women as a Genre. Gender, Pleasure and Modernity. Doctoral thesis, The Royal Central School of Speech and Drama.

O'Keefe, Dominic (2025) The politics of gender and comedy in British and American romantic comedy films (late 1980s to present). Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

Parker, Joanna (2019) Joanna Parker Performance Designer. UNSPECIFIED.

Parslow, Joe (2018) Come Hear the Music Play: The Politics of Queer Failure and Practices of Survival. In: Beyond Failure New Essays on the Cultural History of Failure in Theatre and Performance. Routledge, Abingdon, pp. 80-94. ISBN 9780815370994

Parslow, Joe (2020) Dragging the Mainstream: RuPaul's Drag Race and Moving Drag Practices Between the USA and the UK'. In: Contemporary Drag Practices and Performers Drag in a Changing Scene Volume 1. Methuen Drama Engage, 1 . Bloomsbury Publishing, London, pp. 19-31. ISBN 9781350082946

Parslow, Joe (2023) Jake Elwes: Queering Artificial Intelligence with Deepfake Drag. In: Among the Machines. Zablubowicz Collection, London, pp. 85-91. ISBN 978-1-907-931-40-7

Parslow, Joe (2023) Kings, queens, monsters and things: digital drag performance and queer moves in artificial intelligence (AI). Contemporary Theatre Review, 33 (1-2). pp. 128-148. ISSN 1477-2264

Parslow, Joe (2021) Not Another Drag Competition From Amateur to Professional Drag Performance. Performance Research, 25 (1). pp. 18-24. ISSN 1352-8165

Parslow, Joe (2018) Queer Stages: LGBTQ+ Venues, Drag Performance, and Hope. Urban Pamphleteer #7, 7. pp. 22-24.

Parslow, Joe (2024) Their Majesty Drag Performance and Queer Communities in London. Routledge Series in Equity, Diversity, and Inclusion in Theatre and Performance . Routledge, Abingdon. ISBN 9780367757601

Paxton, Naomi (2018) The Methuen Drama Book of Suffrage Plays: Taking the Stage. Methuen Drama, London. ISBN 9781350082984

Paxton, Naomi (2018) Stage Rights! : the Actresses Franchise League, Activism and Politics 1908-1958. Women, Theatre and Performance . Manchester University Press, Manchester. ISBN 9781526114785

Paxton, Naomi (2019) Suffragette Judy: Punch and Judy at Suffrage Fairs and Exhibitions in Edwardian London. In: Women and Puppetry: Critical and Historical Investigations. Routledge, London, pp. 126-140. ISBN 9781315225999

Paxton, Naomi (2019) 'Very Much Alive and Kicking': The Actresses' Franchise League From 1914-1928. In: Stage Women 1900-1950: Female Theatre Workers and Professional Practice. Manchester University Press, Manchester, pp. 118-137. ISBN 9781526100702

Paxton, Naomi, Gale, Maggie and Dorney, Kate (2019) Stage Women 1900-50: Female Theatre Workers and Professional Practice. Women, Theatre and Performance . Manchester University Press, Manchester. ISBN 978526100702

Pearlman, Iya Jack (2019) Performing the trans-body text: strategies for productive disruption in identity-based performance. Doctoral thesis, The Royal Central School of Speech and Drama.

Ploeger, Daniel (2014) Thinking Critical / Looking Sexy: A Naked Male Body in Performance. In: Theatre as Voyeurism: The Pleasures of Watching. Palgrave Macmillan, London, pp. 147-165. ISBN 9781137478801

Rushe, Sinéad, Kemp, Margaret Laurena, Ellis, Roger and Posner, Dassia N. (2021) Unity Over Unison: Creating AntigoneNOW in Lockdown. A Conversation between Margaret Laurena Kemp, Sinéad Rushe, and Roger Ellis; moderated by Dassia N. Posner. Theatre Topics. ISSN 1054-8378 (In Press)

Shepherd, Simon (2025) The Avant-Garde Practices of Gwendolen Bishop. Theatre Survey, 66 (1). pp. 4-24. ISSN 0040-5574

Six, Tom (2025) A Background of Slog: Work and the British Theatre and Performance, 1950-99. In: Routledge Companion to Twentieth-Century British Theatre. Routledge, Abingdon, pp. 233-244. ISBN 9781003046691

Stuart, Isabel (2025) Bad Feelings: Extreme affective dramaturgies in Alistair McDowall’s all of it. Performance Research, 29 (3). pp. 15-23. ISSN 1352-8165

Stuart, Isabel (2026) Seeing double: alcohol, gender, and English Nationalism in Sh!t Theatre Drink Rum with Expats. Theatre Research International, 51 (2). pp. 334-345. ISSN 0307-8833

Stuart Fisher, Amanda (2021) Challenging Misogyny and Reducing Female Child Sexual Exploitation (CSE) Perpetrated by Young Men: An Evaluation Report of Little Fish Theatre's Embrace Project. UNSPECIFIED.

Tashkiran, Ayse (2018) Chapter 25 in The Routledge Companion to Jacques Lecoq. In: The Routledge Companion to Jacques Lecoq. Routledge Companion, 1 . Routledge, Oxford, pp. 227-235. ISBN 9781138611849

Tashkiran, Ayse (2020) Movement Directors in Contemporary Theatre: Conversations on Craft. Methuen Drama, 1 . Bloomsbury, London and New York. ISBN 9781350054462