Delgado, Maria, Kobialka, Michal and Lease, Bryce, eds. (2024) Staging difficult pasts: transnational memory, theatres and museums. Routledge, London. ISBN 9781032326030

Amanda, Brennan (2024) The Craft of Screen Acting. Bloomsbury Methuen Drama, London. ISBN 9781350139633

Baker, Sylvan, Palm, James and Eshun, Zuri (2024) Re/Gaining Trust: The "System" and the System of Actor Training. In: Stanislavsky and Race: Questioning the “System” in the 21st Century. Stanivslasky and . Routledge, London. ISBN 9781032362335

Bartley, Sarah, McAvinchey, Caoimhe, Dean, Deborah and Greene, Anne-marie (2024) Clean Break Theatre Company. Elements in Women Theatre Makers . Cambridge University Press, Cambridge. ISBN 9781009525855 (In Press)

Buratta, Ben (2024) Dance-Floor dramaturgy : new approaches to making theatre queerly. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

Busby, Selina, Dean, Max, Mwashi LItolde, Peter and Sutton, Paul (2024) Kenyan Rock Art: protecting the past, facilitating the future through immersive technologies, archaeology, and drama education. Research in Drama Education, 29 (2). pp. 259-277. ISSN 1356-9783

Busby, Selina (2024) Applied theatre: research-based theatre, or theatre-based research? exploring the possibilities of finding social, spatial, and cognitive justice in informal housing settlements in India, or tales from the banyan tree. Arts, 13 (2). pp. 1-14. ISSN 2076-0752

Carricajo, Elisa and Delgado, Maria M. (2024) Elisa Carricajo: Piel de Lava and El Pampero Cine in dialogue. Senses of Cinema, 110.

Chow, Broderick D.V. (2024) Muscle works: physical culture and the performance of masculinity. Performance Works . Northwestern University Press, Evanston, IL, United States of America. ISBN 9780810147362

Damian Martin, Diana (2024) ‘Live Art Vibes’ in Digital Culture – Affective Performances and Migrant Aesthetics from Eastern Europe. Contemporary Theatre Review, 24 (3). pp. 378-397. ISSN 1048-6801

Damian Martin, Diana, Perazzo, Daniela and Nik, Wakefield (2024) Autofictions in Co-labouring. Performance Philosophy Journal, 9 (1). pp. 84-105. ISSN 2057-7176

Delgado, Maria M. (2024) Prologue: making noises quietly. In: Directing, Acting, Audiences. Performance Research Books, Aberystwyth. ISBN 9781906499174

Dodi, Simon (2024) Lip-synching for (some) life: researching queer/camp bodies through practice-based methods. In: Researching Popular Entertainment. Routledge.

Duffy-Syedi, Kate (2024) Performing care with refugee youth: solidarity, interruption and precarity. Doctoral thesis, Royal Central School of Speech and Drama.

Elswit, Kate (2024) The Scale of Research Has Already Changed. Theatre Journal, 76 (2). E26. ISSN 1086-332X

Elswit, Kate and Bench, Harmony (2024) Radical accounting and the edges of archives: Alvin Ailey American Dance Theatre's historical data. In: Edges of Ailey. Yale University Press, New Haven. ISBN 9780300278842

Elswit, Kate and Bench, Harmony (2024) Radical accounting: Alvin Ailey American Dance Theater’s data as a framework for historical imagination. [Show/Exhibition]

Hartley, Jessica (2024) Towards a trauma informed pedagogy in actor training: knowledge and agency. Theatre Dance and Performance Training, 15 (2). pp. 143-157. ISSN 1944-3919

Holton, Simon James and Patey-Ferguson, Phoebe (2024) Cronies, Cliques and Lovers: Queer Friendship as Anti-Institutional Practice in UK Live Art Festivals. Contemporary Theatre Review, 34 (3). pp. 290-311. ISSN 1477-2264

Hougham, Richard, Cao, Marián and Scoble, Sarah (2024) Memory: Shaping Connection in the Arts Therapies. ECArTE . Routledge, Abingdon. ISBN 9781032668192

Howe, Andrew, Demjaha, Arsime and Lu, Kevin (2024) Auditory hallucinations in non-psychotic disorders – an analytical psychological perspective. Psychoanalytic Psychotherapy. ISSN 0266-8734 (In Press)

Jarvis, Liam and Savage, Karen (2024) Postdigital performances of care: technology and pandemic. Performance and Digital Cultures . Bloomsbury Methuen Drama, London. ISBN 9781350272101

Jones, Phil and Coleman, Alyson (2024) 'Drama as Therapy' research seminar. In: Drama as Therapy, 16th October 2024. (Unpublished)

Lane, Kate (2024) Kate Lane (UK). In: Insubordinate Costume: Inspiring Performance. Routledge, Abingdon, pp. 191-194. ISBN 9781032375977

Lu, Kevin and Yeoman, Ann (2024) C. G. Jung's Collected Works: The Basics. Routledge: The Basics . Routledge, London and New York. ISBN 1138667013

Moran, Nick (2024) First steps in automated lighting design. Focus: the Journal of the Association of Lighting Production & Design. pp. 28-29.

Moran, Nick (2024) USITT 2024. Focus: the Journal of the Association of Lighting Production & Design. pp. 18-21.

Mullan, Sarah Jane and Bartley, Sarah (2024) Crisis theatre and the living newspaper. Elements in Theatre, Performance and the Political . Cambridge University Press (Cambridge Elements), Cambridge. ISBN 9781009525817

Oliver, Daniel (2024) Ballad of the Bloody Pearl. In: Obsessions of a Showwoman: The Performance Worlds of Marisa Carnesky. Intellect, London, pp. 44-45. ISBN 9781835950104

Owen, Louise (2024) "A Currency of Happenstance". Lateral: Journal of the Cultural Studies Association, 13 (2). ISSN ISSN 2469-4053

Owen, Louise (2024) Government, Policy, and Censorship in Post-war British Theatre. In: The Cambridge Companion to British Theatre since 1945. Cambridge Companions to Theatre and Performance . Cambridge University Press, Cambridge, pp. 209-228. ISBN 9781108377850

Owen, Louise (2024) Hostile Environments: Theatrical Conventions and the Law. LawArt, 5. pp. 16-32. ISSN ISSN 2724-654X

Owen, Louise (2024) Restaging the Future: Neoliberalization, Theater, and Performance in Britain. Performance Works . Northwestern University Press, Evanston, IL. ISBN 9780810146044

Parslow, Joe (2024) Their Majesty Drag Performance and Queer Communities in London. Routledge Series in Equity, Diversity, and Inclusion in Theatre and Performance . Routledge, Abingdon. ISBN 9780367757601

Prestwich, Joseph (2024) Brecht: fragments -- fresh and familiar? Dreigroschenheft: Informationen Zu Bertolt Brecht, 31 (4). pp. 18-21. ISSN 0949-8028

Reason, Matthew, Acton, Kelsie and Foulds, Daniel (2024) Working it out together: lessons and insights into inclusive research in an arts context. British Journal Of Learning Disabilities, 52 (4). pp. 676-686. ISSN 1468-3156

Six, Tom (2024) Directors: Organisation, Authorship, and Social Production. In: The Cambridge Companion to British Theatre since 1945. Cambridge University Press, Cambridge, pp. 424-60. ISBN 9781108377850

Uzor, Tia-Monique and Bench, Harmony (2024) The Noise My Leaves Make: Black British Women and Surrendering to Belonging. The International Journal of Screendance, 14 (1). pp. 125-132. ISSN 2154-6878

Uzor, Tia-Monique (2024) Towards a new humanity: Belonging, embodiment, and Quantum Black creative geographies. Singapore Journal Of Tropical Geography.

White, Gareth (2024) Audience Participation in Theatre: Evolutions of the Invitation. Palgrave/Springer. ISBN 978-3-031-69887-3

White, Gareth (2024) Meaning in the Midst of Performance: Contradictions of Participation. Routledge Advances in Theatre and Performance Studies . Routledge, London. ISBN ISBN 9781032660967