Abraham, Nicola (2018) The Creature Methodology: Reflexivity and the Applied Theatre Practitioner in Training. English Teachers Association, Switzerland, 35 (1). ISSN 9771660650003

Abraham, Nicola and Baker, Sylvan (2018) The Creature in the Corner: A Methodology for Teaching Reflexivity. In: Reflective Conservatoire Conference 2018, 19th to 23rd February 2018, Guildhall. (Unpublished)

Abrams, Joshua (2018) Menu Degustation: We Insist the Entire Table Participates: An Introduction to On Taste. Performance Research, 22 (7). pp. 1-5. ISSN 1352-8165

Abrams, Joshua (2018) Trumping Taste: On the Gustatory and the Rise of the Post-Factual. Performance Research, 22 (7). pp. 153-161. ISSN 1352-8165

Astles, Cariad (2018) Presence and Memory: Tadeusz Kantor’s Living Puppet Theatre 1. In: Tadeusz Kantor’s Memory: Other Pasts, Other Futures. Institute of Grotowski, London. ISBN 9781910203064

Barker, Paul and Huesca, Maria (2018) Composing for Voice: Exploring Voice, Language and Music. Routledge Voice Studies . Oxford University Press, Oxford. ISBN 9781138244047

Bence, Charlotte, W. (2018) Legitimacy in Motion: The Narrative Function of Cinematic Violence. Doctoral thesis, The Royal Central School of Speech and Drama.

Boenisch, Peter and Finburgh, Clare (2018) The Great Directors, Vol. 6: Littlewood, Planchon, Strehler. The Great European Stage Directors, 6 . Bloomsbury Methuen, London. ISBN 9781474253994

Boenisch, Peter and Finburgh, Clare (2018) A Popular Theatre for All: Western European Theatre Direction in the Mid-Twentieth Century. In: The Great Directors, Vol. 6: Littlewood, Planchon, Strehler. The Great Directors, 6 . Bloomsbury Methuen, London, pp. 7-52. ISBN 9781474254168

Boston, Jane (2018) Voice: Readings in Theatre practice. Readings in Theatre Practice . Palgrave, London. ISBN 9781137301949

Bryon, Experience (2018) Awareness Performing: Practice to Protocol. In: Routledge Companion to Theatre, Performance and Cognitive Science. Routledge Companions . Routledge, London. ISBN 9781138048898

Bryon, Experience (2018) Performing Interdisciplinarity: Working Across Disciplinary Boundaries Through an Active Aesthetic. Routledge, Abingdon. ISBN 9781138678859

Bryon, Experience, McLaughlin, Deirdre, Bishop, Mark and Kaufman, Jessica (2018) Embodied Cognition, Acting and Performance. Routledge, Abingdon. ISBN 9780815385769

Busby, Selina (2018) Forward. In: Playing for Time Theatre Company: Perspectives from the Prison. Intellect, Bristol, ix-x. ISBN 9781783209514

Busby, Selina and Heap, Brian (2018) How do Culture and Power Work in and Through Drama Research? In: Drama Research Methods Provocations of Practice. Brill Leiden l, Boston, pp. 135-146. ISBN 9789004389564

Chow, Broderick D.V. (2018) The Dynamic Tensions Physical Culture Show. Contemporary Theatre Review, 28 (4). ISSN 1048-6801

Chow, Broderick D.V. (2018) Every Little Thing He Does: Entrepreneurship and Appropriation in the Magic Mike Series. Lateral: Journal of Cultural Studies Association, 6 (1). ISSN 2469-4053

Chow, Broderick D.V. (2018) Feeling in Counterpoint: Complicit Spectatorship and the Filipino Performing Body. Theatre Journal, 70 (3). pp. 327-347. ISSN 0192-2882

Cornford, Tom (2018) Experiencing Nationlessness: Staging the Migrant Condition in Some Recent British Theatre. Journal of Contemporary Drama in English, 6 (1). pp. 101-122. ISSN 2195-0164

Cornford, Tom (2018) Review: The Routledge Companion to Michael Chekhov. Theatre Research International, 43 (3). pp. 339-341. ISSN 0307-8833

Cornford, Tom (2018) Willful Distraction: Katie Mitchell, Auteurism and the Canon. In: The Theatre of Katie Mitchell. 4x45 . Routledge, Abingdon, pp. 72-92. ISBN 9781138600058

Cornford, Tom and Barker, Roberta (2018) Tyrone Guthrie. In: The Great European Stage Directors: Copeau, Komisarjevsky, Guthrie. The Great European Stage Directors, 3 . Metheun Drama, London, pp. 115-162. ISBN 9781474254113

Damian Martin, Diana (2018) And the Vampires Flow Towards the West: The Ecological Poetics of Eastern European Migration in the UK. GPS: Global Performance Studies, 2 (1). ISSN 2574-027X

Damian Martin, Diana (2018) On Time: a SPILL Reader. Pacitti Company, Ipswich.

Damian Martin, Diana (2018) Review: Le Recital Des Postures at London International Mime Festival 19 January - 20 January 2018. Exeunt Magazine.

Damian Martin, Diana (2018) Review: Ultimate Dancer: "It's Liberating to Let Go of the Limitations of Being Human". Exeunt Magazine.

Damian Martin, Diana (2018) States of Wake: Dedicating Performance. Performance Space, Folkestone, UK. ISBN 9781999607302

Damian Martin, Diana and Bojana, Jankovic (2018) Critical Interruptions. Live Art Development Agency, London.

Delgado, Maria M. (2018) Civility, Empathy, Democracy and Memory : Exploring the 'We' in Compromised Times. Performance Research, 23 (4). pp. 328-336. ISSN 1352-8165

Delgado, Maria M. (2018) ‘Corruption, Capitalism, Class, Memory and the Staging of Difficult Pasts: Barcelona Theatre and the Summer of 2018’. European Stages, 12. ISSN 1050-199X

Delgado, Maria M. (2018) Disappearing Acts: On Analysing Creative Practice in Spain. Hispanic Research Journal, 19 (2). pp. 196-213. ISSN 1468-2737

Delgado, Maria M. (2018) Maria Casares: l'Espagne, L'Exil et le Repoussoir. Revue d'Histoire du Théâtre, 1 (277). ISSN 1291-2530

Delgado, Maria M. (2018) Reframing Past and Present: Madrid Theatre 2018. European Stages, 12. ISSN 1050-199X

Elswit, Kate (2018) Performing Anti-Nationalism: Solidarity, Glitter, and No Borders Politics with the Europa Europa Cabaret. Theatre Research International, 43 (1). pp. 25-44. ISSN 0307-8833

Elswit, Kate (2018) Theatre & Dance. Theatre& . Palgrave Macmillan, Basingstoke. ISBN 9781137605740

Elswit, Kate and Bench, Harmony (2018) Dunham's Data Website and Research Blog. UNSPECIFIED.

Elswit, Kate, Miyagawa, Mariko, Otake, Eiko and Rodman, Tara (2018) What We Know and What We Want to Know: A Roundtable On Butoh and Neuer Tanz. In: The Routledge Companion to Butoh Performance. Routledge Companion . Routledge, New York, pp. 126-136. ISBN 9781138691094

Elswit, Kate and Nair, Rani (2018) Letters to Lila and Dramaturg's Notes on Future Memory: Inheriting Dance's Alternative Histories. In: The Oxford Handbook of Dance and Reenactment. Oxford University Press, Oxford, pp. 177-214. ISBN 9780199314201

Ewan, Vanessa and Coutts, Nicky (2018) Giraffe Time. Photography and Culture, 11 (2). pp. 139-152. ISSN 1751-4517

Ewan, Vanessa and Sagovsky, Kate (2018) Laban's Efforts in Action: A Movement Handbook for Actors with On-line Video Resources. Bloomsbury, London. ISBN 9781472533241

Farrier, Stephen (2018) Re-membering AIDS, Dis-membering Form. In: Viral Dramaturgies, HIV and AIDS in Performance in the Twenty-first Century. Palgrave Macmillan, Cham (Switzerland), pp. 155-172. ISBN 9783319703169

Farrier, Stephen (2018) Theater, Queer - An Entry In: Global Encyclopedia of Lesbian, Gay, Bisexual, Transgender, and Queer (LGBTQ) History, 1st Edition. Charles Scribner's Sons, part of Macmillan Reference USA,, USA.

Felstead, Daniel (2018) What Can We Do With These Associations? Production, Organisation and Materiality in the Work of Tino Sehgal. Doctoral thesis, The Royal Central School of Speech and Drama.

Fisher, Tony (2018) Theatre at the Impasse: Political Theology and Blitz Theatre Group's Late Night. Performance Philosophy Journal, 4 (1). pp. 139-156. ISSN 2057-7176

McAllister, Peter (2018) Lee Strasberg's Method. Stanislavski Studies, 6 (1). pp. 105-110. ISSN 2056-7790

Moran, Nick (2018) Performance Lighting Design: How to Light for the Stage, Concerts and Live Events. Metheun Drama, London. ISBN 9781350017092

Murphy, Helen (2018) "Faint Flickerings" : Women as a Genre. Gender, Pleasure and Modernity. Doctoral thesis, The Royal Central School of Speech and Drama.

Naylor, Ben (2018) Advice to the Players: Peter Hall, Shakespeare and Antipathy to the Method. In: John Barton and Peter Hall Memorial Conference, 8/9/2018, Rose Theatre, Kingston. (Unpublished)

Naylor, Ben (2018) Shakespeare’s Professional Guilt: Acting, Monstrosity and the Devil. In: Perdition Catch My Soul: Shakespeare, Hell and Damnation, 8/12/2018, Shakespeare's Globe Theatre. (Unpublished)

Ong, Adelina (2018) Compassionate Mobilities: Towards a Theory for Negotiated Living. Doctoral thesis, Royal Central School of Speech and Drama.

Ong, Adelina (2018) Essais: Falling Slowly: Stumbling Towards an Urban Art-Inspired Place Practice in London. Theatre, Dance and Performance Training, 9 (1). pp. 124-125. ISSN 1944-3927

Ong, Adelina (2018) The Limits of Access: The Messy Temporalities of Hope and the Negotiation of Place. Research in Drama Education, 23 (3). pp. 467-478. ISSN 1356-9783

Oram, Daron (2018) Finding a Way: More Tales of Dyslexia and Dyspraxia in Psychophysical Actor Training. Voice and Speech Review, 12 (3). pp. 276-294. ISSN 2326-8271

Oram, Daron (2018) Losing Sight of Land: Tales of Dyslexia and Dyspraxia in Psychophysical Actor Training. Theatre Dance and Performance Training, 9 (1). pp. 53-67. ISSN 1944-3919

Orley, Emily and Hilevaara, Katja (2018) Virtual Embodiment: Critical Writing and Liveness. In: The Creative Critic: Writing As/About Practice. Routledge, London. ISBN 9781138674820

Parslow, Joe (2018) Come Hear the Music Play: The Politics of Queer Failure and Practices of Survival. In: Beyond Failure New Essays on the Cultural History of Failure in Theatre and Performance. Routledge, Abingdon, pp. 80-94. ISBN 9780815370994

Parslow, Joe (2018) Queer Stages: LGBTQ+ Venues, Drag Performance, and Hope. Urban Pamphleteer #7, 7. pp. 22-24.

Paxton, Naomi (2018) The Methuen Drama Book of Suffrage Plays: Taking the Stage. Methuen Drama, London. ISBN 9781350082984

Paxton, Naomi (2018) Stage Rights! : the Actresses Franchise League, Activism and Politics 1908-1958. Women, Theatre and Performance . Manchester University Press, Manchester. ISBN 9781526114785

Pinchin, William (2018) Myth in Contemporary Mask Praxis: A Jungian Approach to Mask Making and Performance Within Lecoq-based Actor Created Theatre. Doctoral thesis, The Royal Central School of Speech and Drama.

Ploeger, Daniel, Anderson, Mary, Haley, Richard, Hines, Billicia C. and Penton, Misha (2018) Perspectives: Hi-Tech Everything: A Fragmented Report from the Heart of Techno-Consumerism. Body, Space & Technology, 17 (1). pp. 177-210. ISSN 1470-9120

Radosavljevic, Duska (2018) The Heterarchical Director: A Model of Authorship for the 21st Century. [Audio]

Ronan, Joanna Josephine (2018) Capital, Cooperation and Creating Performance: Blood Water Theatre Develops Ownership in Collaborative Theatre Practice. Doctoral thesis, The Royal Central School of Speech and Drama.

Rushe, Sinéad (2018) Loaded. [Performance]

Shah, Javeria (2018) Decolonising the Creative Arts Curriculum in Whitespaces. In: Education in Progress. Nova, New York. ISBN 978-1-53614-553-3

Skourtis, Andreas and Andrianos, Panos (2018) Staging Antigone. [Video]

Soltani, Farokh (2018) Radio Listens to Itself: Reason and Resonance in British Radio Dramaturgy. In: Transnational Radio Conference 2018, 13th - 15th July 2018, Monash University, Italy. (Unpublished)

Tashkiran, Ayse (2018) Chapter 25 in The Routledge Companion to Jacques Lecoq. In: The Routledge Companion to Jacques Lecoq. Routledge Companion, 1 . Routledge, Oxford, pp. 227-235. ISBN 9781138611849

Tashkiran, Ayse (2018) Curated Conversation Led by Key People. In: Radical Mischief: A Conference Inviting Experiment in Theatre Thought and Politics, 21st - 22nd July 2018, Stratford Upon Avon. (Unpublished)

Tashkiran, Ayse, Ewan, Vanessa and Gerstein, Alexandra (2018) Embodied Perspectives on Sculpture: A Case Study in Interdisciplinary Research. In: Art History: Undisciplined?, 19th June 2018, The Courtauld Institute of Art, Somerset House, Strand, London. (Submitted)

Taylor, Alan (2018) An investigation of the process of artistic creation provoked by the attempt to share it. Doctoral thesis, The Royal Central School of Speech and Drama.

White, Gareth (2018) The Multiple Spaces of Immersive Theatre. In: Contemporary Drama and Performative Space: from Playwriting to Immersive Theatre. The Theatre Institute, Bratislava, Bratislave, Slovakia, pp. 30-34. ISBN 9788081900358

Zaroulia, Marilena (2018) Performing That Which Exceeds Us: Aesthetics of Sincerity and Obscenity During 'The Refugee Crisis'. Research in Drama Education, 23 (2). pp. 179-192. ISSN 1356-9783