Anderson, Joel (2019) Royal Central School of Speech and Drama's Joel Anderson on What Dramaturgy Is and How it is Taught. Broadway World.

Anderson, Joel (2019) Theatre Photography Between Theatre and Performance. Focales, 3 2019 (2019). pp. 1-10. ISSN 2556-5125

Anderson, Joel and Leister, Wiebke (2019) The Theatre of Photography/Le Théâtre de la Photographie. Sens Public. ISSN 2104-3272

Anderson, Joel and Leister, Wiebke (2019) The Theatre of Photography: Dialogues. Photography & Culture, 11 (2). pp. 121-138. ISSN 1751-4517

Astles, Cariad (2019) Postcolonialism and Hybridity in British Puppetry. Critical Stages (19). ISSN 2409-7411

Astles, Cariad (2020) The UNIMA Research Commission. Journal of Applied Arts and Health, 11 (1 & 2). pp. 197-199. ISSN 2040-2457

Boenisch, Peter (2015) Directing Scenes and Sense: The Thinking of Regie. Theatre: Theory – Practice – Performance . Manchester University Press, Manchester. ISBN 9780719097195

Bryon, Experience (2018) Performing Interdisciplinarity: Working Across Disciplinary Boundaries Through an Active Aesthetic. Routledge, Abingdon. ISBN 9781138678859

Busby, Selina and Farrier, Stephen (2007) The Fluidity of Bodies, Gender, Identity and Structure in the Plays of Sarah Kane. In: Alternatives Within Mainstream II: Queer Theatres in Post-War Britain. Cambridge Scholars Publishing, Cambridge, pp. 142-159. ISBN 9781847183064

Damian Martin, Diana (2026) Nonconforming Criticism: Political Practices and Poetics at the Borderlands of Performance. Thinking through theatre . Bloomsbury Methuen Drama, London. ISBN 9781350178595

Damian Martin, Diana, Perazzo, Daniela and Nik, Wakefield (2024) Autofictions in Co-labouring. Performance Philosophy Journal, 9 (1). pp. 84-105. ISSN 2057-7176

Damian Martin, Diana (2019) Between Art and Criticism: A Phenomenological Poiesis. In: Performance Phenomenology: The Thing Itself. Routledge, London and New York, pp. 217-236. ISBN 9783319980591

Damian Martin, Diana (2020) Collaborative Critique: Expanded practices of contemporary performance criticism (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383967-5-6

Damian Martin, Diana, Paterson, Mary and Costa, Maddy (2019) Letters to (of) the Future. Global Performance Studies, 2 (2).

Elswit, Kate (2009) Accessing Unison in the Age of its Mechanical Reproducibility. Art Journal, 68 (2). pp. 50-61. ISSN 0004-3249

Elswit, Kate (2020) From ‘Future Memory’: A Triangulation of History, Theory and Practice (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383967-6-3

Elswit, Kate (2024) The Scale of Research Has Already Changed. Theatre Journal, 76 (2). E26. ISSN 1086-332X

Endris, Jaelyn (2023) Critical passivity: a reparative approach to dance criticism. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

Farrier, Stephen (2021) Kinging the Stage: Male Impersonators and Drag Kings, Exploring Shared Historical Narratives. In: Drag Histories, Herstories and Hairstories. Bloomsbury, London, pp. 57-68.

Farrier, Stephen (2020) Not a Cock in a Frock, But a Hole Story. Drag and the Mark of the 'Bioqueens'. In: Contemporary Drag Practices and Performers, Drag in a Changing Scene Vol. 1. Methuen Drama Engage, 1 . Bloomsbury, London, pp. 102-115. ISBN 97813550082946

Kressley, Laura (2023) Embedded theatre criticism in England 2012-2022: between mainstream criticism and dramaturgy. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

Leask, Josephine (2025) New Dance Magazine's radical body of writing: intersections of feminist print culture and dance criticism. Doctoral thesis, The Royal Central School of Speech and Drama.

Messias, Luiz Fernando Fernandes (2022) This is My Body: The Queer Messianic Dysphoria of The Pink Supper. Contemporary Theatre Review, 23 (1-2). pp. 44-60. ISSN 1048-6801

O'Keefe, Dominic (2025) The politics of gender and comedy in British and American romantic comedy films (late 1980s to present). Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

Parslow, Joe (2018) Come Hear the Music Play: The Politics of Queer Failure and Practices of Survival. In: Beyond Failure New Essays on the Cultural History of Failure in Theatre and Performance. Routledge, Abingdon, pp. 80-94. ISBN 9780815370994

Parslow, Joe (2020) Dragging the Mainstream: RuPaul's Drag Race and Moving Drag Practices Between the USA and the UK'. In: Contemporary Drag Practices and Performers Drag in a Changing Scene Volume 1. Methuen Drama Engage, 1 . Bloomsbury Publishing, London, pp. 19-31. ISBN 9781350082946

Parslow, Joe (2018) Queer Stages: LGBTQ+ Venues, Drag Performance, and Hope. Urban Pamphleteer #7, 7. pp. 22-24.

Ploeger, Daniel and Lepage, Louise (2014) Drama and Performance Studies (2014). The Year’s Work in Critical and Cultural Theory, 22 (1). pp. 304-333. ISSN 1077-4254

Ploeger, Daniel and Verstraete, Pieter (2015) Drama and Performance Studies (2015). The Year’s Work in Critical and Cultural Theory, 23 (1). pp. 351-372. ISSN 1077-4254

Radosavljevic, Duska (2016) Theatre Criticism: Changing Landscapes. Methuen Drama, London. ISBN 9781472577092

Unger, Clio (2023) Performing knowledge: contemporary lecture performances and the politics of knowledge in cognitive capitalism. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

Wilson, Molly (2026) Training in the shadows: autotheory, chronic illness, and performing against the politics of productivity. Theatre, Dance and Performance Training, 17 (1). pp. 46-50. ISSN 1944-3927

Ziemilski, Wojciech (2025) Now you know! Truth claims in Polish documentary theatre. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.