Abrams, Joshua (2020) Presidential Address to the 2019 ATHE Conference. Theatre Topics, 30 (1). pp. 11-15. ISSN 1054-8378

Anderson, Joel (2019) Royal Central School of Speech and Drama's Joel Anderson on What Dramaturgy Is and How it is Taught. Broadway World.

Anderson, Joel (2019) Snapshots on Theatre Photography. kød – konkrétne o divadle, March.

Anderson, Joel (2019) Theatre Photography Between Theatre and Performance. Focales, 3 2019 (2019). pp. 1-10. ISSN 2556-5125

Anderson, Joel (2015) Theatre and Photography. Theatre& . Palgrave Macmillan, Basingstoke. ISBN 9780230276710

Anderson, Joel (2011) Theatrical Photography, Photographic Theatre and the Still: The Photography of Sophie Moscoso at the Theatre du Soleil. About Performance, 8. pp. 163-178. ISSN 1324-6089

Anderson, Joel and Leister, Wiebke (2019) The Theatre of Photography - Special Edition of Photography and Culture. Photography and Culture, 11 (2). pp. 121-235. ISSN 1751-4517

Anderson, Joel and Leister, Wiebke (2019) The Theatre of Photography: Dialogues. Photography & Culture, 11 (2). pp. 121-138. ISSN 1751-4517

Astles, Cariad (2018) Presence and Memory: Tadeusz Kantor’s Living Puppet Theatre 1. In: Tadeusz Kantor’s Memory: Other Pasts, Other Futures. Institute of Grotowski, London. ISBN 9781910203064

Astles, Cariad (2020) The UNIMA Research Commission. Journal of Applied Arts and Health, 11 (1 & 2). pp. 197-199. ISSN 2040-2457

Bartley, Sarah, McAvinchey, Caoimhe, Dean, Deborah and Greene, Anne-marie (2024) Clean Break Theatre Company. Elements in Women Theatre Makers . Cambridge University Press, Cambridge. ISBN 9781009525855 (In Press)

Boston, Jane (2009) Breath in Action: The Art of Breath in Vocal and Holistic Practice. Jessica Kingsley Publishers, London. ISBN 9781843109426

Boston, Jane (2019) In Memory Of A Radical: Cicely Berry. Journal of Interdisciplinary Voice Studies, 4 (No 1). pp. 55-70. ISSN 2057-035X

Boston, Jane (2012) The Physical Voice in the Moving Body. In: The Physical Voice in the Moving Body, November 2012, The Royal Central School of Speech and Drama. (Unpublished)

Boston, Jane (2019) Pitch and Gender in Voice Training: New Methodological. Theatre Dance and Performance Training, 10 (3). pp. 332-336. ISSN 1944-3919

Boston, Jane (2014) Poetic Text in Contemporary Voice Training: A Repositioning. Voice and Speech Review, 8 (2). pp. 131-148. ISSN 2326-8271

Boston, Jane (2018) Voice: Readings in Theatre practice. Readings in Theatre Practice . Palgrave, London. ISBN 9781137301949

Boston, Jane and J. Clifford, Turner (2007) Voice and Speech in the Theatre. Metheun, London. ISBN 9780713681888

Brown, Ross (2015) Changing Technologies of Stage Performance: Sound Design. In: Cambridge Guide to the Worlds of Shakespeare, Volume 2: 1600 to the Present. Cambridge University Press, Cambridge, pp. 1460-1467. ISBN 9781107057258

Brown, Ross (2009) Sound: A Reader in Theatre Practice. Readings in Theatre Practice . Palgrave Macmillian, Basingstoke. ISBN 9780230551879

Bryon, Experience (2018) Performing Interdisciplinarity: Working Across Disciplinary Boundaries Through an Active Aesthetic. Routledge, Abingdon. ISBN 9781138678859

Bush-Bailey, Gilli (2014) The Gerbini Letters, or, A Tale of Two Mothers. In: Stage Mothers: Women, Work and the Theater 1660-1830. Bucknell University Press, Lewisburg, pp. 233-251. ISBN 9781611486032

Bush-Bailey, Gilli (2009) The Mystery of Revival: Performance and Reception of Susanna Centlivre on the Modern Stage. In: The Public’s Open to Us All: Essays on Women and Performance in Eighteenth-Century England. Cambridge Scholars, Newcastle Upon Tyne, pp. 283-299. ISBN 9781443801737

Bush-Bailey, Gilli (2011) Performing Herself: Autobiography and Fanny Kelly's Dramatic Recollections. Manchester University Press, Manchester. ISBN 9780719079214

Bush-Bailey, Gilli (2012) Re: 'Enactment'. In: Cambridge Companion to Theatre History. Cambridge University Press, Cambridge, pp. 281-298. ISBN 9780521766364

Bush-Bailey, Gilli (2009) Treading the Bawds: Actresses and Playwrights on the Late-Stuart Stage. Manchester University Press, Manchester. ISBN 9780719072512

Bush-Bailey, Gilli (2014) 'Women Like Us'? Comedy Studies, 3 (2). pp. 151-159. ISSN 2040-6118

Bush-Bailey, Gilli, Davis, Jim, Normington, Katie and Bratton, Jacky (2010) Researching Theatre History and Historiography. In: Research Methods in Theatre and Performance. Edinburgh University Press, Edinburgh. ISBN 9780748641581

Chow, Broderick D.V. (2020) The Dynamic Tensions Physical Culture Show: A Counter-Genealogy of Built Masculinities (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383967-4-9

Chow, Broderick D.V. (2020) Epistemology of the Locker Room: A Queer Glance at the Physical Culture Archive. Contemporary Theatre Review Print ISSN 1048-6801 Online ISSN 1477-2264, 31 (1/2). (In Press)

Chow, Broderick D.V. (2024) Muscle works: physical culture and the performance of masculinity. Performance Works . Northwestern University Press, Evanston, IL, United States of America. ISBN 9780810147362

Cornford, Tom (2015) Acting, Skill and Artistry. Shakespeare Studies, 43. pp. 88-98. ISSN 0582-9399

Cornford, Tom (2017) Backpages: The Editing of Emma Rice. Contemporary Theatre Review, 27 (1). pp. 134-137. ISSN 1048-6801

Cornford, Tom (2020) Creating Something that Feels Alive: Sound Design for Katie Mitchell. Interview with Donato Wharton. Contemporary Theatre Review, 30 (2). pp. 245-252. ISSN 1048-6801

Cornford, Tom (2022) Directors: Organisation, Authorship, and Social Production. In: The Cambridge Companion to British Theatre since 1945. Cambridge University Press. (In Press)

Cornford, Tom (2020) Editorial. Studies in Theatre and Performance, 40 (2). pp. 125-127. ISSN 1468-2761

Cornford, Tom (2016) Jacques Lecoq and the Studio Tradition. In: The Routledge Companion to Jacques Lecoq. Routledge, Abingdon, 43 -51. ISBN 9781138818422

Cornford, Tom (2020) Katie Mitchell and the Technologies of the Realist Theatre. Contemporary Theatre Review, 30 (2). pp. 168-192. ISSN 1048-6801

Cornford, Tom (2019) Michael Chekhov: Directing an Actors' Theatre. In: Russian Theatre in Practice: The Director's Guide. Performance Books . Bloomsbury, London, pp. 95-107. ISBN 9781474284431

Cornford, Tom (2019) The Racist Case for Diversity? Contemporary Theatre Review, 28 (4). pp. 553-556. ISSN 1048-6801

Cornford, Tom (2018) Review: The Routledge Companion to Michael Chekhov. Theatre Research International, 43 (3). pp. 339-341. ISSN 0307-8833

Cornford, Tom (2020) Theatre Studios: A Political History of Ensemble Theatre-Making. Routledge, Abingdon. ISBN 9781138185647

Cornford, Tom (2018) Willful Distraction: Katie Mitchell, Auteurism and the Canon. In: The Theatre of Katie Mitchell. 4x45 . Routledge, Abingdon, pp. 72-92. ISBN 9781138600058

Cornford, Tom (2017) Willful Distraction: Katie Mitchell, Auteurism and the Canon. [Video]

Cornford, Tom and Barker, Roberta (2018) Tyrone Guthrie. In: The Great European Stage Directors: Copeau, Komisarjevsky, Guthrie. The Great European Stage Directors, 3 . Metheun Drama, London, pp. 115-162. ISBN 9781474254113

Cornford, Tom, Fleming, Cass, Rushe, Sinéad, Oram, Daron, Caoimhe, McAvinchey and Roanna, Mitchell (2020) Michael Chekhov Technique in the Twenty-First Century: New Pathways. Methuen Drama . Bloomsbury, London. ISBN 9781474273213

Cornford, Tom and Svich, Caridad (2020) Introduction: Katie Mitchell's Theatre. Contemporary Theatre Review, 30 (2). pp. 137-150. ISSN 1048-6801

Delgado, Maria M. (2018) Disappearing Acts: On Analysing Creative Practice in Spain. Hispanic Research Journal, 19 (2). pp. 196-213. ISSN 1468-2737

Elswit, Kate (2009) Accessing Unison in the Age of its Mechanical Reproducibility. Art Journal, 68 (2). pp. 50-61. ISSN 0004-3249

Elswit, Kate (2012) Back Again? Valeska Gert's Exiles. In: New German Dance Studies. University of Illinois Press, Urbana-Champaign, pp. 113-129. ISBN 9780252036767

Elswit, Kate (2009) “Berlin … Your Dance Partner Is Death”. TDR/The Drama Review, 53 (1). pp. 73-92. ISSN 1054-2043

Elswit, Kate (2020) Digital Methods for Dance Historical Inquiry (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383967-7-0

Elswit, Kate (2020) From ‘Future Memory’: A Triangulation of History, Theory and Practice (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383967-6-3

Elswit, Kate (2014) Inheriting Dance’s Alternative Histories. Dance Research Journal, 46 (1). pp. 5-22. ISSN 0149-7677

Elswit, Kate (2017) The Micropolitics of Exchange: Exile and Otherness After the Nation. In: The Oxford Handbook of Dance and Politics. Oxford University Press, New York, USA, pp. 417-438. ISBN 9780199928187

Elswit, Kate (2008) Petrified? Some Thoughts on Practical Research and Dance Historiography. Performance Research, 13 (1). pp. 61-69. ISSN 1352-8165

Elswit, Kate (2024) The Scale of Research Has Already Changed. Theatre Journal, 76 (2). E26. ISSN 1086-332X

Elswit, Kate (2008) The Some of the Parts: Prosthesis and Function in Bertolt Brecht, Oskar Schlemmer, and Kurt Jooss. Modern Drama, 51 (3). pp. 389-410. ISSN 0026-7694

Elswit, Kate (2013) Ten Evenings with Pina: Bausch's "Late" Style and the Cultural Politics of Coproduction. Theatre Journal. ISSN 0192-2882

Elswit, Kate (2018) Theatre & Dance. Theatre& . Palgrave Macmillan, Basingstoke. ISBN 9781137605740

Elswit, Kate (2014) Watching Weimar Dance. Oxford Studies in Dance Theory . Oxford University Press, Oxford. ISBN 9780199844838

Elswit, Kate and Bench, Harmony (2020) Dance History and Digital Humanities Meet at the Archives: An Interim Project Report on Dunham’s Data. Dance Research, 38 (2). pp. 289-295. ISSN 0264-2875

Elswit, Kate and Bench, Harmony (2019) Dance Touring and Embodied Data: Some Approaches to Katherine Dunham’s Movement on the Move. Current Research in Digital History, 2. ISSN 2637-5923

Elswit, Kate and Bench, Harmony (2018) Dunham's Data Website and Research Blog. UNSPECIFIED.

Elswit, Kate and Bench, Harmony (2020) Katherine Dunham's Global Method and the Embodied Politics of Dance's Everyday. Theatre Survey, 61 (3). pp. 305-330. ISSN 1475-4533

Elswit, Kate and Bench, Harmony (2016) Mapping Movement on the Move: Dance Touring and Digital Methods. Theatre Journal, 68 (4). pp. 575-596. ISSN 0192-2882

Elswit, Kate and Bench, Harmony (2024) Radical accounting and the edges of archives: Alvin Ailey American Dance Theatre's historical data. In: Edges of Ailey. Yale University Press, New Haven. ISBN 9780300278842

Elswit, Kate and Bench, Harmony (2024) Radical accounting: Alvin Ailey American Dance Theater’s data as a framework for historical imagination. [Show/Exhibition]

Elswit, Kate and Bench, Harmony (2022) Visceral Data for Dance Histories: Katherine Dunham’s People, Places, and Pieces. TDR/The Drama Review, 66 (1). pp. 37-61. ISSN 1054-2043

Elswit, Kate and Nair, Rani (2018) Letters to Lila and Dramaturg's Notes on Future Memory: Inheriting Dance's Alternative Histories. In: The Oxford Handbook of Dance and Reenactment. Oxford University Press, Oxford, pp. 177-214. ISBN 9780199314201

Farrier, Stephen (2018) Theater, Queer - An Entry In: Global Encyclopedia of Lesbian, Gay, Bisexual, Transgender, and Queer (LGBTQ) History, 1st Edition. Charles Scribner's Sons, part of Macmillan Reference USA,, USA.

Fisher, Tony (2023) The Aesthetic Exception: Essays on Art, Theatre, and Politics. Manchester University Press, Manchester. ISBN 978-1-5261-7016-3

Fisher, Tony (2019) Politics of City and Nation: Tragic Politics and the Incommunicable Experience. In: A Cultural History of Tragedy In the Modern Age. Bloomsbury, London, pp. 109-126. ISBN 978-1-4742-8809-5

Fisher, Tony (2017) Theatre and Governance in Britain, 1500-1900: Democracy, Disorder and the State. Cambridge University Press, Cambridge. ISBN 9781107182158

Grochala, Sarah (2020) The Theatre of Rupert Goold: Radical Approaches to Adaptation and New Writing. Methuen Drama . Methuen Drama, London. ISBN 9781350090736

Leister, Wiebke and Anderson, Joel (2019) Pro-photographic Gestures. Photography and Culture, 11 (2). pp. 237-243. ISSN 1751-4517

Mullan, Sarah Jane and Bartley, Sarah (2024) Crisis theatre and the living newspaper. Elements in Theatre, Performance and the Political . Cambridge University Press (Cambridge Elements), Cambridge. ISBN 9781009525817

Naylor, Ben (2018) Advice to the Players: Peter Hall, Shakespeare and Antipathy to the Method. In: John Barton and Peter Hall Memorial Conference, 8/9/2018, Rose Theatre, Kingston. (Unpublished)

Naylor, Ben (2018) Shakespeare’s Professional Guilt: Acting, Monstrosity and the Devil. In: Perdition Catch My Soul: Shakespeare, Hell and Damnation, 8/12/2018, Shakespeare's Globe Theatre. (Unpublished)

Naylor, Ben, Healey, Anna and Wyver, John (2019) Cymbeline 19. [Video] (Unpublished)

Oram, Daron (2020) Chapter Three The Expressive Voice in Performance: Chekhov’s Techniques for Voice and Singing in Michael Chekhov Technique in the Twenty-First Century: New Pathways. In: Michael Chekhov Technique in the Twenty-First Century: New Pathways. Bloomsbury: Methuen, London, pp. 93-106.

Paxton, Naomi (2018) The Methuen Drama Book of Suffrage Plays: Taking the Stage. Methuen Drama, London. ISBN 9781350082984

Paxton, Naomi (2019) 'Very Much Alive and Kicking': The Actresses' Franchise League From 1914-1928. In: Stage Women 1900-1950: Female Theatre Workers and Professional Practice. Manchester University Press, Manchester, pp. 118-137. ISBN 9781526100702

Radosavljevic, Duska (2013) The Contemporary Ensemble: Interviews with Theatre-Makers. Routledge, London. ISBN 9780415535304

Radosavljevic, Duska (2015) Kneehigh Theatre. In: British Theatre Companies: From Fringe to Mainstream 1995 - 2014. Methuen Drama, London, pp. 155-178. ISBN 9781408177273

Radosavljevic, Duska (2013) Theatre-Making: Interplay Between Text and Performance in the 21st Century. Palgrave Macmillan, Basingstoke. ISBN 9780230343115

Rushe, Sinéad (2020) Concert (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383968-6-2

Rushe, Sinéad (2019) Michael Chekhov's Acting Technique: A Practitioner's Guide. Bloomsbury Methuen Drama, London. ISBN 9781408156889

Stuart Fisher, Amanda (2020) Performing the Testimonial: Rethinking Verbatim Dramaturgies. Theatre: Theory, Practice, Performance . Manchester University Press, Manchester. ISBN 9781526145741

Tashkiran, Ayse (2018) Chapter 25 in The Routledge Companion to Jacques Lecoq. In: The Routledge Companion to Jacques Lecoq. Routledge Companion, 1 . Routledge, Oxford, pp. 227-235. ISBN 9781138611849

Tashkiran, Ayse (2020) Movement Directors in Contemporary Theatre: Conversations on Craft. Methuen Drama, 1 . Bloomsbury, London and New York. ISBN 9781350054462