Busby, Selina, Freebody, Kelly and Rajendran, Charlene (2023) The Routledge Companion to Theatre and Young People. Routledge companions . Routledge, London. ISBN 9781032348865

Duska, Radosavlevic (2023) Aural/oral dramaturgies : theatre in the digital age. Routledge, Abingdon. ISBN 9780367560744

Fisher, Tony (2023) The Aesthetic Exception: Essays on Art, Theatre, and Politics. Manchester University Press, Manchester. ISBN 978-1-5261-7016-3

Sandys, Kathrine and Thornett, Lucy (2023) Hello stranger: UK performance design 2019-2023. Performance Research Books, Aberystwyth. ISBN 9781906499150

Sandys, Kathrine and Thornett, Lucy (2023) Hello stranger: UK performance design 2019-2023 : Part three: essays. Performance Research Books, Aberystwyth.

Sandys, Kathrine and Thornett, Lucy (2023) Hello stranger: UK performance design 2019-2023 : the festival. Performance Research Books, Aberystwyth.

Skourtis, Andreas, Zamanis, Constantinos, Konomi, Maria, Nathena, Eva, Pantouvaki, Sofia and Volaniakis, Adonis (2023) GR@PQ23: A RARE GATHERING. Athens Epidaurus Festival, Athens. ISBN ΙSBN 978-960-87183-6-4

Bartley, Sarah (2023) ‘What does transformative justice look like?’: Clean Break Theatre Company and the Young Artists Development Programme. In: The Routledge Companion to Theatre and Young People. Routledge companions . Routledge, London, pp. 651-673. ISBN 9781032348865

Busby, Selina (2023) Finding Utopia in Edward Bond’s Plays for Young People, or: ‘You Have to Learn to be on Your Own’ (The Children, Bond, 2000b). In: Edward Bond: Bondian Drama and Young Audience. Vernon Press. ISBN 9781648897009

Damian Martin, Diana and Déchery, Chloé (2023) An Electronic Conversation on Bridges, Pregnancies, Bookends and Encountering Histories. In: Performing Collaboration in Solo Performance: A Duet Without You and Practice as Research. Intellect, Bristol, pp. 139-151. ISBN 9781783209958

Delgado, Maria M. (2023) Enforced Disappearance and Silenced Histories: Pedro Almodóvar's Madres paralelas/Parallel Mothers (2021). In: Staging difficult pasts: transnational memory, theatres, and museums. Routledge, London, pp. 207-228. ISBN 9781003315827

Delgado, Maria M. (2023) Prólogo. In: La Mirada Creadora Ante la Escenificación. Serie Debate (33). Publicaciones de la Asociación de Directores de Escena de España, Madrid. ISBN 9788417189518

Delgado, Maria M., Lease, Bryce and Kobialka, Michal (2023) Introduction. In: Staging difficult pasts: transnational memory, theatres, and museums. Routledge, London, pp. 1-21. ISBN 9781003315827

Elswit, Kate and Bench, Harmony (2023) The body is not (only) a metaphor: rethinking embodiment in the digital humanities. In: Debates in the Digital Humanities 2023. Debates in the Digital Humanities . University of Minnesota Press, Minneapolis, USA, pp. 93-104. ISBN 9781517915285

Lease, Bryce (2023) Theatricality & spectacle: the museum as object. In: Staging difficult pasts: transnational memory, theatres, and museums. Routledge, London, pp. 386-52. ISBN 9781003315827

Lease, Bryce (2023) Transembodiment as translation: staging the Włast/Komornicka Archive. In: Performance and translation in a global age. Theatre and performance theary . Cambridge University Press, Cambridge, pp. 137-153. ISBN 9781009296816

Lease, Bryce and Bulgin, James (2023) Curating the Experiential: The Imperial War Museum's Revised Holocaust Galleries. In: Staging difficult pasts: transnational memory, theatres, and museums. Routledge, London, pp. 53-71. ISBN 9781003315827

Lease, Bryce and Davids, Nadia (2023) Staging Memory and Struggle in Contemporary South Africa. In: Staging difficult pasts: transnational memory, theatres, and museums. Routledge, London, pp. 229-241. ISBN 9781003315827

Lease, Bryce (2023) ‘Transembodiment as Translation: Staging the Włast/Komornicka Archive’. In: Performance and Translation in a Global Age. Cambridge University Press, Cambridge.

Lu, Kevin and Singh, Iqbal (2023) Experiencing the Historical Record: A Psychosocial/Psychodynamic Method for Working with Archival Materials. In: Archives and Emotions. Bloomsbury, London. (In Press)

Parslow, Joe (2023) Jake Elwes: Queering Artificial Intelligence with Deepfake Drag. In: Among the Machines. Zablubowicz Collection, London, pp. 85-91. ISBN 978-1-907-931-40-7

Robson, Cathryn (2023) Vocal alchemy and Lia Haraki. In: Performance Works of Lia Haraki. Lia Haraki, Limassol. ISBN 9789925400515

Shah, Javeria (2023) BLAME and BAME. In: COVID-19 and Racism: Counter Stories of Colliding Pandemic. Policy Press Shorts Research . Bristol University Press, Bristol. ISBN 9781447366737

Wood, Nick and Sitaropoulou, Maria-Eleni (2023) Drawing as Devising: ‘In Time’ - Marking Time Through Drawing in Performance. In: Drawing and Performance: Creating Scenography. INET-md Dance Studies Group, Coimbra, pp. 23-46. ISBN 9789727352753

Bojana, Jankovic (2023) Essential Work: Eastern European Immigrants and Models of Participation. Contemporary Theatre Review, 33 (3). pp. 274-291. ISSN 1477-2264

Damian Martin, Diana, Schmidt, Theron, Douglas, Mick, Mirabi, Reza, O'brien, Ellen, Shah, Rajni, Thomson, Lizzie and Vulcan, Julie (2023) The First Thing We Make is the Conditions of our Meeting: A gathering on gathering. Performance Research: A Journal of the Performing Arts, 28 (2). pp. 14-25. ISSN 1352-9165

Eder, Thomas Fabian and Rowson, James (2023) Documenting crisis: artistic innovation and institutional transformations in the German-speaking countries and the UK. New Theatre Quarterly, 39 (4). pp. 333-354. ISSN 0266-464X

Lease, Bryce and Ross, Yana (2023) A collective form of art: an interview with Yana Ross. Theatre, Dance and Performance Training, 14 (3). pp. 416-422. ISSN 1944-3927

Moran, Nick (2023) Scandlight 2022 Highlights. Focus: the Journal of the Association of Lighting Production & Design.

Parslow, Joe (2023) Kings, queens, monsters and things: digital drag performance and queer moves in artificial intelligence (AI). Contemporary Theatre Review, 33 (1-2). pp. 128-148. ISSN 1477-2264

Rowson, James, Balme, Christopher and Eder, Thomas Fabian (2023) Theatre after Covid: innovation or path dependence? Urania Interdisciplinary Academic Journal. ISSN 2786-3263 (In Press)

Stuart Fisher, Amanda (2023) Ugly Feelings: Disruptive Performances of Race and Care During the Pandemic. Performance Research, 27 (6-7). pp. 5-14. ISSN 1352-8165

Uzor, Tia-Monique (2023) Tidalectic unmapping and the performance of African diasporic imagination in the repertory of Katherine Dunham. Dance Research Journal, 55 (3). pp. 6-29. ISSN 0149-7677 (In Press)

Shearing, David (2023) The People's Kitchen. [Show/Exhibition]

Shearing, David and Raza, Khadija (2023) Hello Stranger: East London Exhibition. [Show/Exhibition]

Bojana, Jankovic (2023) Against hostile environments : migrant performances of Eastern European identities in England. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

Endris, Jaelyn (2023) Critical passivity: a reparative approach to dance criticism. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

Kressley, Laura (2023) Embedded theatre criticism in England 2012-2022: between mainstream criticism and dramaturgy. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

Lerman, Lior (2023) McLuhan's media poetics and performance studies : reorienting the debates surrounding media and performance towards a broader media landscape. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

Nash, Kevin (2023) The modality of film-theatre: disrupting the absorption effects of Hollywood mode films. Doctoral thesis, The Royal Central School of Speech and Drama.

Unger, Clio (2023) Performing knowledge: contemporary lecture performances and the politics of knowledge in cognitive capitalism. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

Skourtis, Andreas (2023) A New Performing Arts Centre for the International School of Uganda. [Video]