Bartley, Sarah, McAvinchey, Caoimhe, Dean, Deborah and Greene, Anne-marie (2024) Clean Break Theatre Company. Elements in Women Theatre Makers . Cambridge University Press, Cambridge. ISBN 9781009525855 (In Press)

Bush-Bailey, Gilli (2012) Plays and Performance Text by Women 1880-1930: An Anthology of Plays by British and American Women from the Modernist Period. Manchester University Press, Manchester. ISBN 9780719082047

Delgado, Maria M., Lease, Bryce and Rebellato, D (2020) Contemporary European Playwrights. Routledge, London. ISBN 9781138084223

Grochala, Sarah (2017) The Contemporary Political Play: Rethinking Dramaturgical Structure. Bloomsbury Methuen Drama, London. ISBN 9781472588463

Grochala, Sarah (2009) S-27. Oberon Books, London. ISBN 9781840029307

Grochala, Sarah (2020) The Theatre of Rupert Goold: Radical Approaches to Adaptation and New Writing. Methuen Drama . Methuen Drama, London. ISBN 9781350090736

Owen, Louise (2024) Restaging the Future: Neoliberalization, Theater, and Performance in Britain. Performance Works . Northwestern University Press, Evanston, IL. ISBN 9780810146044

Pinnock, Winsome (2025) Pig Heart Boy. Nick Hern Books, London. ISBN 9781839044472

Radosavljevic, Duska (2013) The Contemporary Ensemble: Interviews with Theatre-Makers. Routledge, London. ISBN 9780415535304

Boenisch, Peter (2020) Marius Von Mayenburg and Roland Schimmelpfennig. In: Contemporary European Playwrights. Routledge, London. ISBN 9781315111940

Busby, Selina and Farrier, Stephen (2007) The Fluidity of Bodies, Gender, Identity and Structure in the Plays of Sarah Kane. In: Alternatives Within Mainstream II: Queer Theatres in Post-War Britain. Cambridge Scholars Publishing, Cambridge, pp. 142-159. ISBN 9781847183064

Busby, Selina and McNamara, Catherine (2013) A Theatre for Social Justice Project in the UK. In: Staging Social Justice: Collaborating to Create Activist Theatre. Theater in the Americas . Southern Illinois University Press, Carbondale and Edwardsville, pp. 174-185. ISBN 9780809332380

Delgado, Maria M. (2020) Jordi Galceran and Juan Mayorga: Unravelling the Present, Narrating the Past 1. In: Contemporary European Playwrights. Routledge, London. ISBN 9781315111940

Grochala, Sarah and Eldridge, David (2021) Introduction. In: Beginning. Modern Classics . Metheun Drama, London. ISBN 978135014617

Lease, Bryce (2023) ‘Transembodiment as Translation: Staging the Włast/Komornicka Archive’. In: Performance and Translation in a Global Age. Cambridge University Press, Cambridge.

Radosavljevic, Duska (2020) Biljana Srbljanovic and Ivana Sajko: Voice in the Place of Silence. In: Contemporary European Playwrights. Routledge, London. ISBN 9781315111940

Tashkiran, Ayse (2021) Skin Hunger by Dante or Die Written by Ann Akinrijin, Tim Crouch and Sonia Hughes. In: Skin Hunger. Salamander Street Ltd, Glasgow, pp. 3-64. ISBN 9781914228292

Anderson, Joel (2019) Theatre Photography Between Theatre and Performance. Focales, 3 2019 (2019). pp. 1-10. ISSN 2556-5125

Delgado, Maria M. (2016) Spain: Runaway Hits and Ephemeral Memorabilia. European Stages, 8. ISSN 1050-199X

Fisher, Tony (2010) Heidegger and the Narrativity Debate. Continental Philosophy Review, 43 (2). pp. 241-265. ISSN 1387-2842

Grochala, Sarah (2011) A Form of Ethics: The Disrupted and Misappropriated Story in the Monodramas of Mark Ravenhill. Journal of Contemporary Drama in English, 18. pp. 141-154. ISSN 2195-0164

Grochala, Sarah (2014) Going Straight: The Politics of Time and Space in David Eldridge’s Incomplete and Random Acts of Kindness. Journal of Contemporary Drama in English, 2 (1). pp. 145-158. ISSN 2195-0164

Lease, Bryce (2025) Adapting Stig Dagerman’s German Autumn: An Interview with Anna Takanen and Stig Hansén. Contemporary Theatre Review Print ISSN 1048-6801 Online ISSN 1477-2264, 35 (1). pp. 54-60. ISSN 1477-2264

Radosavljevic, Duska (2012) Sara Kanes's Illyria as the Land of Violent Love: A Balkan Reading of Blasted. Contemporary Theatre Review, 22 (4). pp. 499-511. ISSN 1477-2264

Stuart Fisher, Amanda (2011) Trauma, Authenticity and the Limits of Verbatim. Performance Research, 16 (1). pp. 112-122. ISSN 1352-8165

Stuart Fisher, Amanda (2023) Ugly Feelings: Disruptive Performances of Race and Care During the Pandemic. Performance Research, 27 (6-7). pp. 5-14. ISSN 1352-8165

Naylor, Ben (2018) Shakespeare’s Professional Guilt: Acting, Monstrosity and the Devil. In: Perdition Catch My Soul: Shakespeare, Hell and Damnation, 8/12/2018, Shakespeare's Globe Theatre. (Unpublished)

Moen, Karoline Una (2025) Practice Portfolio - Dramaturgies of Traumatic Loss: the Breakage of a Framework through Playwriting Practice. UNSPECIFIED, London UK. (Submitted)

Moen, Karoline Una (2025) Dramaturgies of traumatic loss : the breakage of a framework through playwriting practice. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

Moen, Karoline Una (2025) Dramaturgies of traumatic loss: the breakage of a framework through playwriting practice - Practice Portfolio. Doctoral thesis, Royal Central School of Speech and Drama.

Ziemilski, Wojciech (2025) Now you know! Truth claims in Polish documentary theatre. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.