Anderson, Joel (2019) Theatre Photography Between Theatre and Performance. Focales, 3 2019 (2019). pp. 1-10. ISSN 2556-5125

Anderson, Joel and Leister, Wiebke (2019) The Theatre of Photography/Le Théâtre de la Photographie. Sens Public. ISSN 2104-3272

Astles, Cariad (2020) The UNIMA Research Commission. Journal of Applied Arts and Health, 11 (1 & 2). pp. 197-199. ISSN 2040-2457

Boenisch, Peter (2015) Directing Scenes and Sense: The Thinking of Regie. Theatre: Theory – Practice – Performance . Manchester University Press, Manchester. ISBN 9780719097195

Bryon, Experience (2014) Integrative Performance: Practice and Theory for the Interdisciplinary Performer. Routledge, Abingdon. ISBN 9780415694483

Bryon, Experience (2018) Performing Interdisciplinarity: Working Across Disciplinary Boundaries Through an Active Aesthetic. Routledge, Abingdon. ISBN 9781138678859

Buratta, Ben (2024) Dance-Floor dramaturgy : new approaches to making theatre queerly. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

Damian Martin, Diana (2024) ‘Live Art Vibes’ in Digital Culture – Affective Performances and Migrant Aesthetics from Eastern Europe. Contemporary Theatre Review, 24 (3). pp. 378-397. ISSN 1048-6801

Damian Martin, Diana, Baur, Devon, Behrens, Electa, Cervera, Felipe, Gaspar, Renata, Goudouna, Sozita, Iwaki, Kyoko, Laine, Eero and Lucie, Sarah (2025) To teach as if there were no future. Research in Drama Education, 25 (2). pp. 209-221. ISSN 1356-9783

Damian Martin, Diana, Kimmel, Anna Jayne and Warren, Asher (2022) Metered Togetherness: Affective Drifts and Temporal Proximities. TDR/The Drama Review, 66 (4). pp. 127-142. ISSN 1054-2043

Damian Martin, Diana, Perazzo, Daniela and Nik, Wakefield (2024) Autofictions in Co-labouring. Performance Philosophy Journal, 9 (1). pp. 84-105. ISSN 2057-7176

Damian Martin, Diana, Schmidt, Theron, Douglas, Mick, Mirabi, Reza, O'brien, Ellen, Shah, Rajni, Thomson, Lizzie and Vulcan, Julie (2023) The First Thing We Make is the Conditions of our Meeting: A gathering on gathering. Performance Research: A Journal of the Performing Arts, 28 (2). pp. 14-25. ISSN 1352-9165

Damian Martin, Diana (2019) Between Art and Criticism: A Phenomenological Poiesis. In: Performance Phenomenology: The Thing Itself. Routledge, London and New York, pp. 217-236. ISBN 9783319980591

Damian Martin, Diana (2019) Hopeful Acts in Troubled Times: Thinking as Interruption and the Poetics of Nonconforming Criticism. Performance Philosophy Journal, 5 (1). ISSN 2057-7176

Damian Martin, Diana (2019) Sites of Appearance, Matters of Thought: Hannah Arendt and Performance Philosophy. Performance Philosophy Journal, 5 (1). ISSN 2057-7176

Damian Martin, Diana (2018) States of Wake: Dedicating Performance. Performance Space, Folkestone, UK. ISBN 9781999607302

Delgado, Maria M. (2023) Enforced Disappearance and Silenced Histories: Pedro Almodóvar's Madres paralelas/Parallel Mothers (2021). In: Staging difficult pasts: transnational memory, theatres, and museums. Routledge, London, pp. 207-228. ISBN 9781003315827

Elswit, Kate (2009) Accessing Unison in the Age of its Mechanical Reproducibility. Art Journal, 68 (2). pp. 50-61. ISSN 0004-3249

Fisher, Tony (2026) Essay: the law of the theatre. In: Spanish Verbatim Theatre: Putting Justice on Trial. Centre for Performance Research, Aberystwyth, pp. 165-185. ISBN 9781906499211

Fisher, Tony (2023) The Aesthetic Exception: Essays on Art, Theatre, and Politics. Manchester University Press, Manchester. ISBN 978-1-5261-7016-3

Fisher, Tony (2021) Arte Político después del Giro Comunicativo. Escritura e Imagen (16). pp. 285-305. ISSN 1885-5687

Fisher, Tony (2017) Chapter 10: On the Performance of ‘Dissensual Speech’. In: Performing Antagonism: Theatre, Performance & Radical Democracy. Performance Philosophy . Palgrave Macmillan, Basingstoke, pp. 187-208. ISBN 9781349950997

Fisher, Tony (2020) Problems of Stasis in My Country: The National Theatre and the Crisis of General Enculturation in Post-Referendum Britain. Performance Research, 24 (8). pp. 125-132. ISSN 1352-8165

Fisher, Tony (2018) Theatre at the Impasse: Political Theology and Blitz Theatre Group's Late Night. Performance Philosophy Journal, 4 (1). pp. 139-156. ISSN 2057-7176

Fisher, Tony (2015) Thinking Without Authority: Performance Philosophy as the Democracy of Thought. Performance Philosophy Journal, 1. pp. 175-184. ISSN 2057-7176

Harradine, David (2020) Sheep Pig Goat (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383967-8-7

Harradine, David (2020) This Grief Thing (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383968-0-0

Lease, Bryce (2023) Theatricality & spectacle: the museum as object. In: Staging difficult pasts: transnational memory, theatres, and museums. Routledge, London, pp. 386-52. ISBN 9781003315827

Lease, Bryce (2023) Transembodiment as translation: staging the Włast/Komornicka Archive. In: Performance and translation in a global age. Theatre and performance theary . Cambridge University Press, Cambridge, pp. 137-153. ISBN 9781009296816

Lease, Bryce and Bulgin, James (2023) Curating the Experiential: The Imperial War Museum's Revised Holocaust Galleries. In: Staging difficult pasts: transnational memory, theatres, and museums. Routledge, London, pp. 53-71. ISBN 9781003315827

Lerman, Lior (2023) McLuhan's media poetics and performance studies : reorienting the debates surrounding media and performance towards a broader media landscape. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

Naylor, Ben (2018) Advice to the Players: Peter Hall, Shakespeare and Antipathy to the Method. In: John Barton and Peter Hall Memorial Conference, 8/9/2018, Rose Theatre, Kingston. (Unpublished)

Nicholson-Sanz, Michelle (2020) The Performance of Water Governance as Cultural Heritage in Peru. Contemporary Theatre Review, 30 (4). pp. 509-524. ISSN Print ISSN 1048-6801 Online ISSN 1477-2264

Rushe, Sinéad (2019) Michael Chekhov's Acting Technique: A Practitioner's Guide. Bloomsbury Methuen Drama, London. ISBN 9781408156889

Sloane, Catherine (2020) Messy Connections: A Posthumanist Approach to Performance Practice Engaged with Recovery from Addiction. Doctoral thesis, The Royal Central School of Speech and Drama.

Tony, Fisher (2020) Theatre and its Discontents. In: Play and Democracy, Philosophical Perspectives. Routledge, London, pp. 13-32. ISBN 9780-36764127-6

Tyler, Lucy (2020) English Play Development under Neoliberalism 2000-2019. Doctoral thesis, The Royal Central School of Speech and Drama.

White, Gareth (2024) Meaning in the Midst of Performance: Contradictions of Participation. Routledge Advances in Theatre and Performance Studies . Routledge, London. ISBN ISBN 9781032660967

Zhang, Yi (2026) Remaking Yangbanxi : palimpsests of revolutionary memory and the politics of remembering. Doctoral thesis, The Royal Central School of Speech and Drama.