Boston, Jane (2009) Breath in Action: The Art of Breath in Vocal and Holistic Practice. Jessica Kingsley Publishers, London. ISBN 9781843109426

Boston, Jane (2018) Voice: Readings in Theatre practice. Readings in Theatre Practice . Palgrave, London. ISBN 9781137301949

Boston, Jane and J. Clifford, Turner (2007) Voice and Speech in the Theatre. Metheun, London. ISBN 9780713681888

Brown, Ross (2020) Sound Effect: The Theatre We Hear. Performance and Design . Metheun Drama, London. ISBN 9781350045903

Brown, Ross (2009) Sound: A Reader in Theatre Practice. Readings in Theatre Practice . Palgrave Macmillian, Basingstoke. ISBN 9780230551879

Duska, Radosavlevic (2023) Aural/oral dramaturgies : theatre in the digital age. Routledge, Abingdon. ISBN 9780367560744

Kendrick, Lynne (2017) Theatre Aurality. Palgrave Macmillan, London. ISBN 9781137452320

Parry-Davies, Ella (2020) Home-Makers (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383968-4-8

Brown, Ross (2016) Bruit Pittoresque / Cadres Musicaux. La Composition Pittoresque et Mélodramatique du Son au Théâtre. In: Le Son du Theatre (XIXe-XXle Siecle): Histoire Intermediale D'un Lieu D'ecoute Moderne. CNRS, Paris, France, pp. 135-162. ISBN 9782271093561

Brown, Ross (2015) Changing Technologies of Stage Performance: Sound Design. In: Cambridge Guide to the Worlds of Shakespeare, Volume 2: 1600 to the Present. Cambridge University Press, Cambridge, pp. 1460-1467. ISBN 9781107057258

Brown, Ross (2013) The Eleventh of the Eleventh of the Eleventh: The Theatre of Memorial Silence. In: Soundscapes of the Urban Past: Staged Sound as Mediated Cultural Heritage. Sound Studies (5). Transcript, Bielefeld, pp. 209-220. ISBN 9783837621792

Brown, Ross (2016) Fix Your Eyes on the Horizon and Swing Your Ears About: Corwin's Theatre of Sound. In: Anatomy of Sound: Norman Corwin and Media Authorship. University of California Press, Oakland, California, pp. 171-194. ISBN 9780520285323

Brown, Ross (2013) The Human Auditorium. In: On Listening. Uniformbooks, Axminster, pp. 95-98. ISBN 9781910010013

Brown, Ross (2009) Noise, Memory, Gesture: The Theatre in a Minute's Silence. In: Performance, Embodiment and Cultural Memory. Cambridge Scholars Publishing, Newcastle Upon Tyne, pp. 203-221. ISBN 9781443811200

Brown, Ross (2010) Sound Design: The Scenography of Engagement and Distraction. In: Theatre and Performance Design: A Reader in Scenography. Routledge, Abingdon, pp. 340-347. ISBN 9780415432108

Brown, Ross (2011) Towards Theatre Noise. In: Theatre Noise: The Sound of Performance. Cambridge Scholars Publishing, Newcastle Upon Tyne, pp. 1-13. ISBN 9781443834407

Bryce, Lease (2025) Shifting Theatricalities in the IWM Holocaust Galleries. In: The New Holocaust Galleries at the Imperial War Museum London. DeGruyters Brill, pp. 309-320. ISBN 9783111427522 (In Press)

Kendrick, Lynne (2011) Applied Aurality: Noise and the Aesthetics of Access in Graeae's 'Reasons to be Cheerful'. In: Theatre Noise: The Sound of Performance. Cambridge Scholars Publishing, Newcastle-upon-Tyne, pp. 174-188. ISBN 9781443834407

Kendrick, Lynne (2017) Aural Visions: Sonic Spectatorship in the Dark. In: Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre. Drama Engage . Bloomsbury Methuen Drama, London, pp. 113-131. ISBN 9781474251181

Kendrick, Lynne (2016) Aurality and Performing the Unheard. In: Le Son du Théâtre (XIXe-XXIe siècle) - Histoire Intermédiale D'un Lieu D'écoute Moderne. CNRS, Paris, pp. 191-201. ISBN 9782271093561

White, Gareth (2019) The Audience in Intermedial Theatre. In: Intermedial Theatre: Principles and Practice. Red Globe Press, London, pp. 136-158. ISBN 9781137611574

Boston, Jane (2014) Poetic Text in Contemporary Voice Training: A Repositioning. Voice and Speech Review, 8 (2). pp. 131-148. ISSN 2326-8271

Brown, Ross (2014) Review: Mladen Ovadija’s the Dramaturgy of Sound and Postdramatic Theatre. Comparative Drama, 48 (4). pp. 441-443. ISSN 0010-4078

Brown, Ross (2015) Review: Mladen Ovadija’s the Dramaturgy of Sound and Postdramatic Theatre. New Theatre Quarterly, 31 (2). pp. 198-199. ISSN 0266-464X

Cornford, Tom (2020) Creating Something that Feels Alive: Sound Design for Katie Mitchell. Interview with Donato Wharton. Contemporary Theatre Review, 30 (2). pp. 245-252. ISSN 1048-6801

Kendrick, Lynne, Curtin, Adrian and Roesner, David (2015) Scene in the Dark: Sounding Out 'The Scenographic Turn': Eight Position Statements. Theatre and Performance Design, 1 (1-2). pp. 107-125. ISSN 2332-2578

Boston, Jane (2012) The Physical Voice in the Moving Body. In: The Physical Voice in the Moving Body, November 2012, The Royal Central School of Speech and Drama. (Unpublished)

Brown, Ross (2016) Theatre Immersed: Auditorium as an Architecture for Fantastic Space and Aural Vision. In: Presenting the Theatrical Past. Interplays of Artefacts, Discourses and Practices, 14th July 2016, Stockholm University. (Unpublished)

Brown, Ross (2009) Theatre Noise Conference. In: Theatre Noise Conference, 22-24 April 2009, The Royal Central School of Speech and Drama.

Kendrick, Lynne (2017) Theatre Aurality and the Spatiality of Sound in Performance. In: Sounding Out the Space: An International Conference on the Speciality of Sound, 2nd - 4th November 2017, Dublin, Ireland. (Unpublished)

Oram, Christopher (2010) The Craig Lecture 2010: Design in the Fourth Dimension. In: The Craig Lecture, 5th July 2010, The Royal Central School of Speech and Drama. (Unpublished)

Young, Dot (2010) Aurality of Objects. In: Aurality of Objects Research Seminar, 3rd November 2010, The Royal Central School of Speech and Drama. (Unpublished)

Skourtis, Andreas and Andrianos, Panos (2014) Performing Architectures. Self-Published.

Barker, Paul (2008) The Devil's Tale - Flow Festival. [Performance]

Barker, Paul (2009) Kabara’s Lullaby. [Performance]

Barker, Paul (2013) La Quinta Columna. [Performance]

Shearing, David (2022) The Rising Sun. [Performance]

Roberts, Paul (2025) Staging professionalisation with the ABTT technical theatre in post-war Britain. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

Taylor, Alan (2018) An investigation of the process of artistic creation provoked by the attempt to share it. Doctoral thesis, The Royal Central School of Speech and Drama.