Delgado, Maria M. (2008) Federico Garcia Lorca. Routledge, Oxford. ISBN 9780415362436

Grochala, Sarah (2020) The Theatre of Rupert Goold: Radical Approaches to Adaptation and New Writing. Methuen Drama . Methuen Drama, London. ISBN 9781350090736

Harradine, David (2020) Men & Girls Dance (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383967-8-7

Skourtis, Andreas, Zamanis, Constantinos, Konomi, Maria, Nathena, Eva, Pantouvaki, Sofia and Volaniakis, Adonis (2023) GR@PQ23: A RARE GATHERING. Athens Epidaurus Festival, Athens. ISBN ΙSBN 978-960-87183-6-4

Alexander, Catherine (2010) Complicite - The Elephant Vanishes (2003/4) - 'The Elephant and Keeper Have Vanished Completely...They Will Never Be Coming Back'. In: Making Contemporary Theatre: International Rehearsal Processes. Theatre: Theory, Practice, Performance . Manchester University Press, Manchester, pp. 59-81. ISBN 9780719074929

Six, Tom (2025) A Background of Slog: Work and the British Theatre and Performance, 1950-99. In: Routledge Companion to Twentieth-Century British Theatre. Routledge, Abingdon, pp. 233-244. ISBN 9781003046691

Holton, Simon James and Patey-Ferguson, Phoebe (2024) Cronies, Cliques and Lovers: Queer Friendship as Anti-Institutional Practice in UK Live Art Festivals. Contemporary Theatre Review, 34 (3). pp. 290-311. ISSN 1477-2264

Cornford, Tom (2017) Parents in Performing Arts (PIPA) Best Practice Research Project: Final Report. Project Report. PIPA, On-Line.

Felstead, Daniel (2018) What Can We Do With These Associations? Production, Organisation and Materiality in the Work of Tino Sehgal. Doctoral thesis, The Royal Central School of Speech and Drama.

Brennan, Amanda (2012) A Beautiful Death. [Video]