Bryon, Experience (2018) Performing Interdisciplinarity: Working Across Disciplinary Boundaries Through an Active Aesthetic. Routledge, Abingdon. ISBN 9781138678859

Chow, Broderick D.V. (2024) Muscle works: physical culture and the performance of masculinity. Performance Works . Northwestern University Press, Evanston, IL, United States of America. ISBN 9780810147362

Elswit, Kate (2014) Watching Weimar Dance. Oxford Studies in Dance Theory . Oxford University Press, Oxford. ISBN 9780199844838

Ewan, Vanessa and Sagovsky, Kate (2018) Laban's Efforts in Action: A Movement Handbook for Actors with On-line Video Resources. Bloomsbury, London. ISBN 9781472533241

Green, Debbie and Ewan, Vanessa (2014) Actor Movement: Expression of the Physical Being. Bloomsbury, London. ISBN 9781408134412

Harradine, David (2020) Men & Girls Dance (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383967-8-7

Ong, Adelina (2020) Negotiated Hopes: Reconfiguring Narratives of Self-worth (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383968-2-4

Pisk, Litz and Tashkiran, Ayse (2017) The Actor and His Body. Theatre Makers . Bloomsbury Methuen Drama, London. ISBN 9781474269742

Rushe, Sinéad (2020) Concert (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383968-6-2

Rushe, Sinéad (2019) Michael Chekhov's Acting Technique: A Practitioner's Guide. Bloomsbury Methuen Drama, London. ISBN 9781408156889

Shearing, David (2020) Black Rock: From Climbing to Performance (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383968-7-9

Tashkiran, Ayse (2020) Movement Directors in Contemporary Theatre: Conversations on Craft. Methuen Drama, 1 . Bloomsbury, London and New York. ISBN 9781350054462

Cornford, Tom (2016) Jacques Lecoq and the Studio Tradition. In: The Routledge Companion to Jacques Lecoq. Routledge, Abingdon, 43 -51. ISBN 9781138818422

Elswit, Kate (2017) The Micropolitics of Exchange: Exile and Otherness After the Nation. In: The Oxford Handbook of Dance and Politics. Oxford University Press, New York, USA, pp. 417-438. ISBN 9780199928187

Elswit, Kate and Bench, Harmony (2023) The body is not (only) a metaphor: rethinking embodiment in the digital humanities. In: Debates in the Digital Humanities 2023. Debates in the Digital Humanities . University of Minnesota Press, Minneapolis, USA, pp. 93-104. ISBN 9781517915285

Elswit, Kate, Miyagawa, Mariko, Otake, Eiko and Rodman, Tara (2018) What We Know and What We Want to Know: A Roundtable On Butoh and Neuer Tanz. In: The Routledge Companion to Butoh Performance. Routledge Companion . Routledge, New York, pp. 126-136. ISBN 9781138691094

Rushe, Sinéad (2020) Feeling Space, Making Space: Michael Chekhov's Approach to Theatre Design. In: Michael Chekhov Technique in the Twenty-First Century New Pathways. Bloomsbury, London, pp. 132-149. ISBN 9781474273213

Tashkiran, Ayse (2016) British Movement Directors. In: The Routledge Companion to Jacques Lecoq. Routledge, Abingdon, pp. 227-235. ISBN 9781138818422

Tashkiran, Ayse (2018) Chapter 25 in The Routledge Companion to Jacques Lecoq. In: The Routledge Companion to Jacques Lecoq. Routledge Companion, 1 . Routledge, Oxford, pp. 227-235. ISBN 9781138611849

Tashkiran, Ayse (2021) Skin Hunger by Dante or Die Written by Ann Akinrijin, Tim Crouch and Sonia Hughes. In: Skin Hunger. Salamander Street Ltd, Glasgow, pp. 3-64. ISBN 9781914228292

Elswit, Kate (2009) Accessing Unison in the Age of its Mechanical Reproducibility. Art Journal, 68 (2). pp. 50-61. ISSN 0004-3249

Elswit, Kate (2009) “Berlin … Your Dance Partner Is Death”. TDR/The Drama Review, 53 (1). pp. 73-92. ISSN 1054-2043

Elswit, Kate (2014) Inheriting Dance’s Alternative Histories. Dance Research Journal, 46 (1). pp. 5-22. ISSN 0149-7677

Elswit, Kate (2008) The Some of the Parts: Prosthesis and Function in Bertolt Brecht, Oskar Schlemmer, and Kurt Jooss. Modern Drama, 51 (3). pp. 389-410. ISSN 0026-7694

Elswit, Kate and Bench, Harmony (2020) Dance History and Digital Humanities Meet at the Archives: An Interim Project Report on Dunham’s Data. Dance Research, 38 (2). pp. 289-295. ISSN 0264-2875

Elswit, Kate and Bench, Harmony (2016) Mapping Movement on the Move: Dance Touring and Digital Methods. Theatre Journal, 68 (4). pp. 575-596. ISSN 0192-2882

Elswit, Kate and Bench, Harmony (2022) Visceral Data for Dance Histories: Katherine Dunham’s People, Places, and Pieces. TDR/The Drama Review, 66 (1). pp. 37-61. ISSN 1054-2043

Green, Debbie and O'Brien, Ita (2012) From Grounded Foot to Leaping Foot. Theatre, Dance and Performance Training, 3 (1). pp. 99-118. ISSN 1944-3927

Munro, Jane (2021) Movement Through Disorientation: The De-stress Through Movement Activity Pack Created for Music in Detention. Critical Stages, 23. ISSN 2409-7411

Rushe, Sinéad, Kemp, Margaret Laurena, Ellis, Roger and Posner, Dassia N. (2021) Unity Over Unison: Creating AntigoneNOW in Lockdown. A Conversation between Margaret Laurena Kemp, Sinéad Rushe, and Roger Ellis; moderated by Dassia N. Posner. Theatre Topics. ISSN 1054-8378 (In Press)

Boston, Jane (2012) The Physical Voice in the Moving Body. In: The Physical Voice in the Moving Body, November 2012, The Royal Central School of Speech and Drama. (Unpublished)

Green, Debbie and O'Brien, Ita (2010) From Grounded Foot to Leaping Foot: Practice and Pedagogy Forum. In: From Grounded Foot to Leaping Foot: Practice and Pedagogy Forum, 26 October 2010, The Royal Central School of Speech and Drama.

Tashkiran, Ayse (2018) Curated Conversation Led by Key People. In: Radical Mischief: A Conference Inviting Experiment in Theatre Thought and Politics, 21st - 22nd July 2018, Stratford Upon Avon. (Unpublished)

Tashkiran, Ayse, Ewan, Vanessa and Gerstein, Alexandra (2018) Embodied Perspectives on Sculpture: A Case Study in Interdisciplinary Research. In: Art History: Undisciplined?, 19th June 2018, The Courtauld Institute of Art, Somerset House, Strand, London. (Submitted)

Elswit, Kate and Bench, Harmony (2018) Dunham's Data Website and Research Blog. UNSPECIFIED.

Alexander, Catherine (2008) The Boy from Centreville. [Performance]

Alexander, Catherine (2010) The Gypsy Bible. [Performance]

Alexander, Catherine (2008) Touching Space. [Performance]

Barker, Paul (2013) La Quinta Columna. [Performance]

Rushe, Sinéad (2017) Concert. [Performance]

Rushe, Sinéad (2018) Loaded. [Performance]

White, Gareth and Munro, Jane (2012) Invitation. [Performance]

White, Gareth and Munro, Jane (2012) Pretty War. [Teaching Resource] (Unpublished)

Harradine, David and Butlerq, Samantha (2021) 8 Tender Solitudes. [Video]