Bartley, Sarah (2026) Carceral Performance, Histories of Prison Arts, and Liberatory Memory Work in Rideout’s The Ballad of The Whistling Man. In: Carceral Arts. Bristol University Press, Bristol. (In Press)

Bartley, Sarah (2026) Breaching the Record: Rideout and the Complexities of Archiving Performance in the Criminal Justice System. Theatre Survey, 67 (2). (In Press)

Bartley, Sarah and Mcvinchey, Caoimhe (2025) Rewriting women, crime and punishment: commissioning and collaborative processes in the work of Clean Break Theatre Company. In: The Methuen Drama Handbook of Women in Contemporary British Theatre. Bloomsbury Methuen Drama, London, pp. 297-311. ISBN 9781350360259

Bartley, Sarah, McAvinchey, Caoimhe, Dean, Deborah and Greene, Anne-marie (2024) Clean Break Theatre Company. Elements in Women Theatre Makers . Cambridge University Press, Cambridge. ISBN 9781009525855 (In Press)

Mullan, Sarah Jane and Bartley, Sarah (2024) Crisis theatre and the living newspaper. Elements in Theatre, Performance and the Political . Cambridge University Press (Cambridge Elements), Cambridge. ISBN 9781009525817

Bartley, Sarah (2023) ‘What does transformative justice look like?’: Clean Break Theatre Company and the Young Artists Development Programme. In: The Routledge Companion to Theatre and Young People. Routledge companions . Routledge, London, pp. 651-673. ISBN 9781032348865