Damian Martin, Diana (2020) Collaborative Critique: Expanded practices of contemporary performance criticism (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383967-5-6

Damian Martin, Diana and Bojana, Jankovic (2018) Critical Interruptions. Live Art Development Agency, London.

Damian Martin, Diana (2018) On Time: a SPILL Reader. Pacitti Company, Ipswich.

Damian Martin, Diana (2018) States of Wake: Dedicating Performance. Performance Space, Folkestone, UK. ISBN 9781999607302

Damian Martin, Diana and Déchery, Chloé (2023) An Electronic Conversation on Bridges, Pregnancies, Bookends and Encountering Histories. In: Performing Collaboration in Solo Performance: A Duet Without You and Practice as Research. Intellect, Bristol, pp. 139-151. ISBN 9781783209958

Damian Martin, Diana (2019) Between Art and Criticism: A Phenomenological Poiesis. In: Performance Phenomenology: The Thing Itself. Routledge, London and New York, pp. 217-236. ISBN 9783319980591

Damian Martin, Diana (2016) Criticism as a Political Event. In: Theatre Criticism: Changing Landscapes. Bloomsbury Methuen Drama, London, pp. 219-235. ISBN 9781472577092

Damian Martin, Diana (2014) Foreword. In: Dead at Last: At Last No More Air. Oberon, London, pp. 19-36. ISBN 9781783191451

Damian Martin, Diana (2014) Riding Romance 2: Three Brief ‘Scenes’ on Performance, Aesthetics and Territory. In: Nebelmeer: Riding Romance Trilogy. Oslo - BIT, Oslo, pp. 25-30.

Damian Martin, Diana (2013) Interview/Show Time. In: The Live Art Almanac Volume 3. The Live Art Almanac . Oberon, London, pp. 191-193. ISBN 9781849433969

Damian Martin, Diana (2013) Trashing Performance. In: The Live Art Almanac Volume 3. The Live Art Almanac . Oberon, London, pp. 149-150. ISBN 9781849433969

Damian Martin, Diana, Baur, Devon, Behrens, Electa, Cervera, Felipe, Gaspar, Renata, Goudouna, Sozita, Iwaki, Kyoko, Laine, Eero and Lucie, Sarah (2025) To teach as if there were no future. Research in Drama Education, 25 (2). pp. 209-221. ISSN 1356-9783

Damian Martin, Diana, Perazzo, Daniela and Nik, Wakefield (2024) Autofictions in Co-labouring. Performance Philosophy Journal, 9 (1). pp. 84-105. ISSN 2057-7176

Damian Martin, Diana (2024) ‘Live Art Vibes’ in Digital Culture – Affective Performances and Migrant Aesthetics from Eastern Europe. Contemporary Theatre Review, 24 (3). pp. 378-397. ISSN 1048-6801

Damian Martin, Diana, Schmidt, Theron, Douglas, Mick, Mirabi, Reza, O'brien, Ellen, Shah, Rajni, Thomson, Lizzie and Vulcan, Julie (2023) The First Thing We Make is the Conditions of our Meeting: A gathering on gathering. Performance Research: A Journal of the Performing Arts, 28 (2). pp. 14-25. ISSN 1352-9165

Damian Martin, Diana, Kimmel, Anna Jayne and Warren, Asher (2022) Metered Togetherness: Affective Drifts and Temporal Proximities. TDR/The Drama Review, 66 (4). pp. 127-142. ISSN 1054-2043

Damian Martin, Diana (2019) Hopeful Acts in Troubled Times: Thinking as Interruption and the Poetics of Nonconforming Criticism. Performance Philosophy Journal, 5 (1). ISSN 2057-7176

Damian Martin, Diana (2019) Sites of Appearance, Matters of Thought: Hannah Arendt and Performance Philosophy. Performance Philosophy Journal, 5 (1). ISSN 2057-7176

Low, Katharine and Damian Martin, Diana (2019) Surviving, But Not Thriving: The Politics of Care and the Experience of Motherhood in Academia. Research in Drama Education, 24 (3). pp. 426-432. ISSN 1356-9783

Damian Martin, Diana, Paterson, Mary and Costa, Maddy (2019) Letters to (of) the Future. Global Performance Studies, 2 (2).

Damian Martin, Diana (2018) And the Vampires Flow Towards the West: The Ecological Poetics of Eastern European Migration in the UK. GPS: Global Performance Studies, 2 (1). ISSN 2574-027X

Damian Martin, Diana (2018) Review: Ultimate Dancer: "It's Liberating to Let Go of the Limitations of Being Human". Exeunt Magazine.

Damian Martin, Diana (2018) Review: Le Recital Des Postures at London International Mime Festival 19 January - 20 January 2018. Exeunt Magazine.

Damian Martin, Diana (2017) Review: Snow Mouse at the Barbican December 13 - December 23. Exeunt Magazine.

Damian Martin, Diana (2017) Diorama for Shoalstone Pool. Exuent Magazine.

Damian Martin, Diana (2017) Trajal Harrell: Hoochie Koochie. Exeunt Magazine.

Damian Martin, Diana (2017) Review: Ravnedans. Exeunt Magazine.

Damian Martin, Diana (2017) Review: FITEI: Community and Memory. Exeunt Magazine.

Damian Martin, Diana (2017) Theatre in the UK: Politics, Poetics and Resistance. Conflict Zones: Young European Journalists on Performing Arts.

Damian Martin, Diana (2017) Library of Unfinished Texts. Performance Research, 22 (1). pp. 130-133. ISSN 1352-8165

Damian Martin, Diana (2017) Spill Festival: Crawl, Burn, Stand and Sweep: Poetics of Body-Based Work in Urban Spaces. Klaxon Magazine (6). pp. 62-76. ISSN 2295-5582

Damian Martin, Diana (2017) Poetics of Artistic Discourse: Rajni Shah's Glorious. Klaxon Magazine (1). pp. 83-101. ISSN 2295-5582

Damian Martin, Diana (2016) Review: Sponge at the Barbican Barbican Pit 13th - 21st December 2016. Exeunt Magazine.

Damian Martin, Diana (2016) Archives, Hindsight and Change. Performance Magazine.

Damian Martin, Diana (2016) Review: Holy Smoke at the Southbank Centre 4th - 5th November 2016. Exeunt Magazine.

Damian Martin, Diana (2016) Review: Steakhouse: Live Art, Live Writing. Exeunt Magazine.

Damian Martin, Diana (2016) Review: Two Man Show at the Soho Theatre 6th September - 1st October 2016. Exeunt Magazine.

Damian Martin, Diana (2016) Unpeeling Action: Critical Writing, Training and Process. Theatre, Dance and Performance Training, 7 (2). pp. 195-211. ISSN 1944-3927

Damian Martin, Diana (2016) Review: Foreignisation on Stage: Les Serpents. Exeunt Magazine.

Damian Martin, Diana (2016) Review: Performance and the New Tate Modern. Exeunt Magazine.

Damian Martin, Diana (2016) Deliberation, Embodiment and Oral Criticism: A Case Study on Spill Festival of Performance. Critical Stages (13). ISSN 2409-7411

Damian Martin, Diana (2016) Nando Messias: Homophobia, Marching Bands and the 'Sissy's Progress'. Exeunt Magazine.

Damian Martin, Diana (2016) Review: Performing for the Camera at Tate Modern - 16th February - 12th June 2016. Exeunt Magazine.

Damian Martin, Diana (2015) Theatre Criticism and Digital Poetics (A Case Study). Critical Stages: The IATC Webjournal (11).

Damian Martin, Diana (2015) Towards a Poiesis of Critical Practice: 1000th LIVE and the Politics of Appearance. Performance Research, 20 (1). pp. 96-104. ISSN 1352-8165

Damian Martin, Diana (2015) On Editing and the Digitial. Contemporary Theatre Review, 25 (1). ISSN 1477-2264

Damian Martin, Diana (2017) Report on the Young Critics Seminar in Cluj, Romania for the International Association of Theatre Critics. International Association of Theatre Critics.

Damian Martin, Diana and Patterson, Annette Theresa (2016) Critics in Conversation. Critics in Conversation, London.

Damian Martin, Diana and Bojana, Jankovic (2016) Steakhouse Live: A Collective of Artists and Producers Creating New Spaces for Live Art and Performance. Steakhouse Live.

Damian Martin, Diana (2015) Chapter 4: On Ecologies: Erotics of a Nuclear Summer. Something Other: Collecting Writing, Performance and Their Others.

Damian Martin, Diana (2015) Chapter 5: On Silence and Noise: A Delicate Event. Something Other: Collecting Writing, Performance and Their Others.

Damian Martin, Diana (2015) Chapter 3: On Emergencies: A Forensic of Emergencies. Something Other: Collecting Writing, Performance and Their Others.

Damian Martin, Diana (2015) Chapter 2: On Migration: Neighbours. Something Other: Collecting Writing, Performance and Their Others.